Fred Ward Quotes
In this play we're dealing with relative truths - who's lying, who's telling the truth. But underneath that, Ed and I have hit this deeper level of intimacy between old friends that comes out in the play.
Quotes to Explore
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In order to acquire a growing and lasting respect in society, it is a good thing, if you possess great talent, to give, early in your youth, a very hard kick to the right shin of the society that you love. After that, be a snob.
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I think of New Yorkers as not taking the time to talk to someone they don't know.
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I'll sleep when I'm dead.
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I have a vernacular house on the seaside in Northumberland and an Edwardian semi in south Manchester. They're both exactly as big as they need to be. I can't be doing with an ostentatious, big house - you can only be in one room at a time.
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In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
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A mortgage transaction is very complex, very complicated, and very localized - the rules are not just by state but by county, sometimes even by municipality.
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You create your own material to try to get it out there because a lot of people are multi-hyphenates, to use the corporate term. You're creating stuff to be in in order to showcase all your talents. I think the idea of using YouTube and the Internet, you don't have to wait around for a network to buy your show.
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Even before it opened its retail arm, Beigh was renowned among pashmina cognoscenti for the quality and complexity of the work produced in its workshop, a large, airy, sunlit rectangle of a room directly across from its second-floor shop.
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In terms of 'Seinfeld', I think there's lot of reality in a show that's supposed to be about nothing.
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The best way to hold a man is in your arms.
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As far as my journal, I want to share tour life with my fans.
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I play the father in the scene when Will and Tommy go back to Tommy's old apartment. It was a big mistake. I hope not to be in the next movie I direct.
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I know that for me, a lot of people will look at me and they'll think 'Somali' or 'outsider' instead of 'Minnesota.'
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All Hollywood corrupts; and absolute Hollywood corrupts absolutely.
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I punish myself more than anybody else does if I am stupid about my actions, and I suffer, really suffer.
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I really trust Susan Stroman. I really think she knows what she's doing. I really trust Andrew Lippa and John August. I think they have proven themselves over and over again and know what to do, and they have the big picture in mind.
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We have people working for us full-time because they were forced to retire at 65. I know that I never want to stop working, and I am glad that I can offer positions to others who feel the same way.
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There was no religion in my life growing up. Did God invent us or did we invent God?
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I am not 'in pursuit of truth.' It is not my 'quarry.' I am of my human nature a thinker, and conscious of need, responsibility of thinking-speaking with truth. I do not go about hunting 'truths.'
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The challenge is the culture. You have to have a vision for the BBC-it can't merely be that it's big and has a place in the market.
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I was born to be married. I just feel comfortable there. I love the idea of being partnered for ever. I love my girlfriend, we've been best friends since I was 18. There's not a thing we haven't been through except for marriage... We've had talks about what we would name our kids since we were in our 20s.
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Henry glanced hastily at the mirror. Yes, he did look rather old. He must have overdone some of the lines on his forehead. He looked something between a youngish centenarian and a nonagenarian who had seen a good deal of trouble.
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I did something that no brown-skinned man in the movie industry ever did. I made a brown-skinned man look very romantic - a matinee idol. If you think about it, what I introduced is historical because it had never happened before, and it hasn't happened since - not on that level.
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In this play we're dealing with relative truths - who's lying, who's telling the truth. But underneath that, Ed and I have hit this deeper level of intimacy between old friends that comes out in the play.
