Bobby Moynihan Quotes
I was a bartender at a Pizzeria Uno's for nine years. The people I worked with were amazing, but it was quite possibly the most miserable time of my life.
Quotes to Explore
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I grew up in a very large, poor family.
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Everybody's an artist. Everybody's God. It's just that they're inhibited.
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You should only have so many accessories. You have to make sure you have the right ones at the right time.
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The musket could not be aimed except in a general direction; a bow in the hands of a skilled archer could regularly hit and kill an enemy completely beyond musket range.
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I think the biggest part of a good party is the host and then going around making sure nobody's left alone and knows enough about the people in the room to know who to introduce to whom.
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When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
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We have to think about the future and what it is we want to accomplish from this party.
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I went from being an ailing child to a public enemy.
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The girl-next-door image is a sort of joke; for years, I couldn't get any roles other than as somebody dark.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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When I was living in New York, there was a lot of screaming in my life. I would just get into these altercations all the time. Being in public, dealing with shopkeepers, just trying to cross the street - things like that.
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The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world.
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I have cut four albums so far, and all of them have been trendsetters and commercially successful. I believe that once you start taking art in commercial terms, it ceases to be art.
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We are rich only through what we give, and poor only through what we refuse.
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Acting has always existed alongside my normal life. It's been a case of learning on the job. I've worked in so many styles, with so many people, so I've picked bits up from everyone and everything.
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I started writing regularly for 'The Atlantic' roughly around the time that Barack Obama got inaugurated.
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Laughter is a strange response. I mean, what is it? It's a spasm of some kind! Is that always joy? It's very often discomfort. It's some sort of explosive reaction. It's very complex.
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Sometime, somewhere you take something to be the truth. But if you cling to it too strongly, then even when the truth comes in person and knocks on your door, you will not open it.
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Why do you think so many actors are only half-developed people? It's very easy when you're a young actor to have these intense, explosive friendships for short periods of time, because you can control what's shown of you. Then you go on to your next job and reinvent yourself again. I think it's important to find something constant.
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Are you used to entertaining everyone with your tales of drama and conflict? Do you get attention and feel important every time you complain about how awful this man is? Stop settling for attention for the negative stuff in your life.
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I don't consider myself a feminist, but I feel very empowered as a woman, and I've used all my resources widely. I believe in equality, but that's just naturally happening. I still want a door opened for me, to be treated like a lady, but I also want equal rights for women, of course.
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Thinking withdraws radically and for its own sake from this world and its evidential nature, whereas science profits from a possible withdrawal for the sake of specific results.
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I was a bartender at a Pizzeria Uno's for nine years. The people I worked with were amazing, but it was quite possibly the most miserable time of my life.
