Douglas Coupland Quotes
Fame without the money to insulate you from it is one of the most wretched human conditions possible. (p. 80)
Quotes to Explore
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I'm awful with directions, and I'm not very handy around the house.
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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I'm open to all the elements, I'm definitely ready to take anything on. But I don't want to jump too far into the deep end.
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I'm writing what comes into my head, or through me, or from somewhere else, and it is the most extraordinary, exciting thing. I love it, and I'm very greedy, and I really enjoy it!
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From the age of eighteen to twenty-one, I worked any job I could get my hands on. One of these jobs was selling fake paintings door-to-door.
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I suppose I often think of my writing as quite impersonal. But it turned out, when my father died, writing was exactly what I wanted to do.
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I hadn't focused on mechanics since I signed professionally.
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Modern man must descend the spiral of his own absurdity to the lowest point; only then can he look beyond it. It is obviously impossible to get around it, jump over it, or simply avoid it.
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Before you begin designing or buying anything, you need to get real and ask yourself: What do you really want to use this room for? What do you want to do in this room but can't now?
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Anytime you get to work with an actor who is beyond you in experience and talent, I feel like they make you a better actor. You really bring up your game.
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I'm not the type of guy to go so deep with the concept songs, but there's deep thought in everything. Maybe it's not just a repetitive hook telling you what the song is about - you have to use your brain a little bit.
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I put so much of myself out there and make myself so accessible that sometimes I fear I make myself too accessible.
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Editing is a natural extension of the collage making. It's actually one of the few areas that women were able to excel in in the film industry from the beginning.
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The two most common elements in the universe are hydrogen and stupidity.
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I like 'The Three Musketeers.' I like those kind of cool things where they were having a robe and a sword.
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'Where is your million-dollar shirt?' I'm like, 'It's underneath these $25 Hanes T-shirts I've got on.'
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I actually like getting out of my comfort zone. It shakes me up.
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As a tennis player you can win and you can lose, and you have to be ready for both. I practised self-control as a kid. But as you get older they both - winning and losing - get easier.
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I knew real show business from my father, who had been an actor since he left the world of boxing.
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Our thoughts are certainly part of us; they come from us, but we are not our thoughts. Have you ever woken up in the morning and said to yourself, 'I am not going to think today; I am too tired'? No, of course not. Just as breathing happens and is constant, thoughts happen, and they are also constant.
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I'm used to doing big undertakings with my own money.
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The money's always been on the table. We could have took that money any time we wanted - every year, two, three times a year we've had offers, all the way down the line.
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Fame without the money to insulate you from it is one of the most wretched human conditions possible. (p. 80)
