Douglas Coupland Quotes
Fame without the money to insulate you from it is one of the most wretched human conditions possible. (p. 80)

Quotes to Explore
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I'm awful with directions, and I'm not very handy around the house.
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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I'm open to all the elements, I'm definitely ready to take anything on. But I don't want to jump too far into the deep end.
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I'm writing what comes into my head, or through me, or from somewhere else, and it is the most extraordinary, exciting thing. I love it, and I'm very greedy, and I really enjoy it!
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From the age of eighteen to twenty-one, I worked any job I could get my hands on. One of these jobs was selling fake paintings door-to-door.
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I suppose I often think of my writing as quite impersonal. But it turned out, when my father died, writing was exactly what I wanted to do.
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I hadn't focused on mechanics since I signed professionally.
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Modern man must descend the spiral of his own absurdity to the lowest point; only then can he look beyond it. It is obviously impossible to get around it, jump over it, or simply avoid it.
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Before you begin designing or buying anything, you need to get real and ask yourself: What do you really want to use this room for? What do you want to do in this room but can't now?
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Anytime you get to work with an actor who is beyond you in experience and talent, I feel like they make you a better actor. You really bring up your game.
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One must always maintain one's connection to the past and yet ceaselessly pull away from it.
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I'm not the type of guy to go so deep with the concept songs, but there's deep thought in everything. Maybe it's not just a repetitive hook telling you what the song is about - you have to use your brain a little bit.
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I put so much of myself out there and make myself so accessible that sometimes I fear I make myself too accessible.
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Editing is a natural extension of the collage making. It's actually one of the few areas that women were able to excel in in the film industry from the beginning.
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The two most common elements in the universe are hydrogen and stupidity.
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I like 'The Three Musketeers.' I like those kind of cool things where they were having a robe and a sword.
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'Where is your million-dollar shirt?' I'm like, 'It's underneath these $25 Hanes T-shirts I've got on.'
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I actually like getting out of my comfort zone. It shakes me up.
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I'm painfully a realist but ruthlessly an optimist. I think maybe it's because of my faith - I've always got the hope that there is something out there to make it all worthwhile.
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Most superhero characters we see these days are from foreign countries. I would like to play a superhero that shows off Korean power.
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What I think a lot of great marathon runners do is envision crossing that finish line. Visualization is critical. But for me, I set a lot of little goals along the way to get my mind off that overwhelming goal of 26.2 miles. I know I've got to get to 5, and 12, and 16, and then I celebrate those little victories along the way.
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If you lie down in a village square hoping to capture a sea gull, you could stay there your whole life without succeeding. But a hundred miles from shore it's different. Sea gulls have a highly developed instinct for self-preservation on land but at sea they're very cocky.
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I became a vegetarian after realizing that animals feel afraid, cold, hungry and unhappy like we (humans) do.
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Fame without the money to insulate you from it is one of the most wretched human conditions possible. (p. 80)