Pawel Pawlikowski Quotes
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
Quotes to Explore
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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People think I look odd onstage. But the way I deal with being incredibly nervous is by concentrating really hard.
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I am a little obsessed with surprise kitty.
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I have two older brothers. I am the baby. We're all very, very close. We're great communicators, so we get along really well.
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If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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I was a breakdancer as a kid. I was on one of the top break dancing teams in Australia.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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Mind is everything. Muscle - pieces of rubber. All that I am, I am because of my mind.
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I'm a warrior for the middle class.
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We have a great country, we are a great nation - let us trust in it.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
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A well begun is half ended.
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I look formidable.
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Tech never comes back the same.
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If the blood humor is too strong and robust, calm it with balance and harmony.
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The thing I hate most in acting is asking permission to do things. What you really want to do is say, 'This is my need; this is what's going to get me further; this is what's going to be alive. I don't ever say, 'Do you mind if...?' I just come in and do it.
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I had admired Richard Burton for years and years before I had ever worked with him. He was a great, great actor. It was a joy to get to know him as a person.
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The problem is there are so many stories out there where I can pull that superhero out, put any other superhero in, and the story works the same. For me, that's broken. I have to write a story that no one else but Aquaman or Shazam can be in, and as soon as you pull that character out and out someone else in, it doesn't work.
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If I just did music, I might go insane. I need words; I need stories. And it's the same the other way around.
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I like to think I was just lucky. I didn't think I was better than anybody else, but I could sing everybody's songs.
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I don't think for a minute we went to Iraq for oil. It just so happened that it had oil. But I think we'll come out of the Iraqi situation with a call on their oil at market price.
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Yeah, she was hitting me hard. She was drunk and she was hitting me hard.
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I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
