Pawel Pawlikowski Quotes
I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
Quotes to Explore
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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People think I look odd onstage. But the way I deal with being incredibly nervous is by concentrating really hard.
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I am a little obsessed with surprise kitty.
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I have two older brothers. I am the baby. We're all very, very close. We're great communicators, so we get along really well.
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If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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I was a breakdancer as a kid. I was on one of the top break dancing teams in Australia.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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Mind is everything. Muscle - pieces of rubber. All that I am, I am because of my mind.
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I'm a warrior for the middle class.
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We have a great country, we are a great nation - let us trust in it.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
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A well begun is half ended.
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I look formidable.
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Tech never comes back the same.
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If the blood humor is too strong and robust, calm it with balance and harmony.
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The thing I hate most in acting is asking permission to do things. What you really want to do is say, 'This is my need; this is what's going to get me further; this is what's going to be alive. I don't ever say, 'Do you mind if...?' I just come in and do it.
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I had admired Richard Burton for years and years before I had ever worked with him. He was a great, great actor. It was a joy to get to know him as a person.
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The left-brainer and the economist in me says watch what people do, not what they say.
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I realized that one of the differences between news photography and dance photography was that the former has to tell a specific story, whereas all a dance photograph had to be was visually interesting.
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There's always hunger to create because I believe that's what I do. I believe that's what I'm supposed to be doing.
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When the arts are eliminated, children get bored and tired of school. When the arts are included, children's imaginations are allowed to run wild.
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I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.
