Jameela Jamil Quotes
I used to wear these big shapeless clothes and ended up just looking like a potato in a sack. I've learnt now to accentuate the bits that I'm happiest with. That's probably my waist - a lot of my clothes go in at the waist and emphasise my hips, which I'm very proud of.
Quotes to Explore
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I wake up late, say 10 or 11, because we've usually been out and about town until 2 or 3 A.M. listening to music at the jazz clubs or hitting the jazz clubs post-theater.
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As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
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When you're not under a 'series regular' contract, and other jobs come up, you try to juggle everything.
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I was a regular hand when I was 7. I picked cotton. I drove tractors. Children grew up not thinking that this is what they must do. We thought this was the thing to do to help your family.
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People are like, 'Was it hard growing up mixed?' 'Did you not fit in?' and I'm like, 'No? What? That's the dumbest question ever.'
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Being on TV sucks. It's a lot of work. You memorize scripts and then you show up and they change everything. I'm a control freak. When I'm doing stand-up, I say what I want and then I get instant feedback.
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I came up in the theater, and I learned pretty quickly that reading a review, whether it's good or bad, can strangely affect the next performances, because you're reacting to something that's been said about you. So I tend to avoid that stuff pretty studiously.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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When you're warm and approachable, you don't have to go up and talk non-stop to someone in a social situation. You just have to be open to the conversations you're already having - and warm and receptive to the people you're meeting.
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I'm a really heavy sleeper. When I wake up I'm a terrible morning person.
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Japanese are very proud and workaholics. Proud workaholics.
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Always try to rub up against money, for if you rub up against money long enough, some of it may rub off on you.
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I'm always up for going back to the stage.
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Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
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Up until recently, I've always been a vintage store guy. I get a lot of my clothes second hand. I really enjoy being able to look through different styles you can find and how eclectic the vintage store vibe is.
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I've been giving back since I was a teen, handing out turkeys at Thanksgiving and handing out toys at toys drives for Christmas. It's very important to give back as a youth. It's as simple as helping an old lady across the street or giving up your seat on the bus for someone who is pregnant.
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Nobody can bring you peace but yourself.
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Growing up in Georgia in the southeastern United States, I was always reading and always kept to myself. I never felt isolated, though; I just liked being alone.
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People try to change up my method, but I'm gonna keep doing it the same way I've been doing it: going in the room by myself and making a song.
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We're either nothing or a God's regret.
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I went to UCLA as pre-med. When I was there my freshman year, I auditioned for a play and got it, and I was so passionate. I just loved acting so much that I decided to switch majors and pursue acting.
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Over the years, I've trained myself to speak using the same language I would use if I were typing: meaning using full sentences in the way that paragraphs and scenes are arranged.
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I used to wear these big shapeless clothes and ended up just looking like a potato in a sack. I've learnt now to accentuate the bits that I'm happiest with. That's probably my waist - a lot of my clothes go in at the waist and emphasise my hips, which I'm very proud of.
