Philip K. Dick Quotes
She could kill him easily. But the lash-tube wavered. Cris Johnson stood without fear; he wasn't at all afraid. Why not? Didn't he understand what it was? What the small metal tube could do to him? 'Of course,' she said suddenly, in a choked whisper. 'You can see ahead. You know I'm not going to kill you. Or you wouldn't have come here.'
Quotes to Explore
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Live TV has an amazing pace to it. You've got to be able to think quick, make changes last minute, and be funny and fast.
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As soon as street art got popular, I was just like, 'I'm out of here.'
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Playing evil is just not interesting. I don't think anyone who does evil stuff thinks they're doing evil stuff. That's the scary part.
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The thing is, people can't complain about profit-oriented moves if they're only interested in profit themselves. You can't have it both ways. If they're willing to polish up a gift and sell it to make money, they can't really complain about the fact that somebody above them has sold them down the river. That's the way it goes.
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My life has taken me down several different paths I never expected it to take me down. Not in a million years.
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Awards are so unnecessary because I think we get so much out of our work just by doing it. The work is a reward in itself.
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One of the peculiar sins of the twentieth century which we've developed to a very high level is the sin of credulity. It has been said that when human beings stop believing in God they believe in nothing. The truth is much worse: they believe in anything.
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The reason that last-ditch political maneuvering has become business as usual in Washington is that the actors involved are drunk on blame and are convinced that the voting public is, too. They count on outrage, thereby spreading numbness. They cherish the prospect of partisan fury, thereby inspiring nonpartisan disgust.
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Blinking is some way of tabulating - a kind of carriage return, click, or save to disk - that helps the process of 'Okay, now change the subject.' Every time you move your eyes, there's an interruption in the visual field - you go momentarily blind when your eyeballs are moving.
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I think that our comfort is in our history.
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I always try not to overload my music with orchestration and to use only those instruments that are absolutely necessary.
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I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.
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Bohemia is nothing more than the little country in which you do not live. If you try to obtain citizenship in it, at once the court and retinue pack the royal archives and treasure and move away beyond the hills.
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The tensions between authority and the people need to be heard, especially when they are suffering and they can't eat.
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Diplomacy in a sense is the opposite of writing. You have to disperse yourself so much: the lady who comes in crying because she's had a fight with the secretary; exports and imports; students in trouble; thumbtacks for the embassy.
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I contend, most seriously, that there is a real need for a good, thick, complete-as-possible dictionary of 'What People Used to Call Things.'
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Personality is the glitter that sends your little gleam across the footlights and the orchestra pit into that big black space where the audience is.
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Early Islam was a time of great creativity. Scholars excelled in sciences and literature.
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I'm scared of everything. I think it's only sensible to be that way.
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Authors are sometimes like tomcats: They distrust all the other toms but they are kind to kittens.
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Emotional life grows out of an area of the brain called the limbic system, specifically the amygdala, whence come delight and disgust and fear and anger.
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Courage is a mean with regard to fear and confidence.
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Without danger I cannot be great. That is how I pay for Abel's blood. Danger and fear follow my steps everywhere. Without them courage would have no sense. And it is courage, courage, courage that raises the blood of life to crimson splendor.
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She could kill him easily. But the lash-tube wavered. Cris Johnson stood without fear; he wasn't at all afraid. Why not? Didn't he understand what it was? What the small metal tube could do to him? 'Of course,' she said suddenly, in a choked whisper. 'You can see ahead. You know I'm not going to kill you. Or you wouldn't have come here.'
