Brad Meltzer Quotes
As I tell my daughter, when you want something in life - no matter how impossible it seems - you need to fight for it.
Quotes to Explore
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I think you have to keep a childlike quality to play music or make a record.
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The first function of a book review should be, I believe, to give some idea of the contents and character of the book.
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I always knew I would make the record that I made in 'Carter Girl.'
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In terms of Rogers, I can't comment on how other fighters in the UFC would fare with Brett Rogers because that's just speculation.
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I love rap because it talks about pain that comes authentically from the ghetto. It moves me.
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I've met people who didn't even know there was a Calvin Klein; they thought it was just the name of a product.
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Excellence is not a skill, it's an attitude.
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When we were children, we used to think that when we were grown-up we would no longer be vulnerable. But to grow up is to accept vulnerability... To be alive is to be vulnerable.
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There's such a preoccupation with liquidity and such an unwillingness to invest beyond the horizon of the next quarter and making sure that the CEOs hit their quarterly earnings.
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2009 was crazy enough! I can't believe I worked with Jeremy Irons, Joan Allen, Marsha Mason, Catherine Zeta-Jones and Angela Lansbury, Jack O'Brien and Trevor Nunn in the same 12 months.
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Everybody talks. Anthony Pettis talked before the fight. Donald Cerrone talked before the fight. See what happened?
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Any film is about heroism: the triumph of good over evil. If you look back at my films, you will see that as a recurring theme.
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Of course great politicians are always liable to be wrong about something, and the more people tell them they are wrong, the more stubbornly they defend their error.
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I write a book a year while creating TV and film projects. And being a writer isn't just writing: I have to chase down paychecks and manage foreign tax payments. I maintain a vibrant relationship with readers and bloggers. And when it comes to Hollywood, I typically have to have fifteen business meetings in the hopes that one leads to a project.
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In Britain, you know there are people waiting to tear your stuff apart, so it's important for me to know that my music has subtleties and depth to it.
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I didn't know that I could do a talk show. I didn't know that we could bring variety to daytime. I didn't know that people wanted to see singing, and dancing and comedy in the morning.
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I go to my kids' sports games and don't have to carry the enormous burden of secrecy with me every day. However, adrenaline still courses through my body whenever I go through passport control to another country.
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I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables. There's something interesting and funny and perverse about the way fairytale sometimes passes for history, for truth.
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I like to think of myself as the Chris Benoit of the movie industry, capable of taking any picture and carrying it to box-office success. Take Garden State, without me that would have just been two hours of Portman doging.
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I had no idea that what I thought was my low wasn't really my low. That's what a lot of people think - then life reminds them, 'No, there's lower.'
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Art's a very metaphysical activity. It's something that enriches the parameters of your life, the possibilities of being, and you touch transcendence and you change your life. And you want to change the life of others, too. That's why people are involved with art.
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The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
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As I tell my daughter, when you want something in life - no matter how impossible it seems - you need to fight for it.
