James G. Stavridis Quotes
I tend to gravitate toward reporters who cover all aspects of the story: from personal aspects to the big picture that answer the 'so what' of a story.

Quotes to Explore
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Normally, I'm a grumpy old man - whenever I read about celebrity, I start to grind my teeth and pull my hair; it seems synonymous with idiocy.
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You can't say yes to every role, and you have to make people miss you. I don't want people to get sick of me.
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When I was really young, I wanted to grow up and be the sun. Which shows an early penchant for ambition or narcissism or grandiosity or delusion - all of which are bellwethers for becoming a writer.
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I don't know the right way to retire.
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There's no first impressions anymore. You go to a job interview, and they'll probably Google you. It's a shame - people should play it a little closer to the chest as far as what information they release to the world. If I'm angry about something, I'm not going to take to my Twitter.
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My 93-year-old grandma is a beautiful example of healthy living. She laughs a lot and always says, 'Just be yourself!' She also eats dessert every single day.
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From the spinners, Anil and I have been together for a long time and I respect him a lot.
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I don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.
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Writing a book for me, I expect, is very similar to the experience of reading the book for my readers.
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Color is a matter of taste and of sensitivity.
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Oddly enough, Bruce Lee wrote some great philosophy.
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It requires genius to make a good pun - some men of bright parts can't reach it.
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You can stroke people with words.
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I'm sure that President Johnson would never have pursued the war in Vietnam if he'd ever had a Fulbright to Japan, or say Bangkok, or had any feeling for what these people are like and why they acted the way they did. He was completely ignorant.
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Your life story would not make a good book. Don't even try.
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In skating over thin ice our safety is in our speed.
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I'd visit the near future, close enough that someone might want to talk to Larry Niven and can figure out the language; distant enough to get me decent medical techniques and a ticket to the Moon.
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I wonder if anyone else has an ear so tuned and sharpened as I have, to detect the music, not of the spheres, but of earth, subtleties of major and minor chord that the wind strikes upon the tree branches. Have you ever heard the earth breathe?
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London’s where I was brought up. It’s where my heart is and where I get my inspiration.
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It's hard to bury your head in Los Angeles. People come up to you and say, 'Hey, I saw your picture on a bus.' It's tricky: You're excited by the possibilities, but you don't want to get too crazy.
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We are really focused on the beauty enthusiast... but also, as you know, everybody has got a great phone in their pocket. Everybody is taking pictures. Who doesn't want to look good in a picture? I don't know anybody who doesn't.
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People just expect you to show up, be a cartoon character of yourself, take your money and go home. But don't screw up to the point where you're gonna be out of the picture.
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You've got a number of things that take place that are peculiar to still photography. One: how a picture looks - what you photograph is responsible for how a photograph looks. In other words, it's responsible for the form.
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I tend to gravitate toward reporters who cover all aspects of the story: from personal aspects to the big picture that answer the 'so what' of a story.