Franz von Holzhausen Quotes
Quotes to Explore
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I let characters be human and flawed and relatable.
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Nothing scares me more than people with some doll collection.
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I love to feature children and young adults as real people - flawed, naive, virtuous, venal - but real. I think it adds nuance and depth to the stories that wouldn't exist without them.
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I kind of like the idea of living a rather ordinary life as a shopkeeper, and I examine that possibility as one of the outcomes of the young Gerald Bostock growing older.
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You have to find out how to become the character.
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My father's name is Dee, so when I was born they named me Katherine Dee and they took the K from Katherine and put it with his name, sort of to give me my dad's namesake. But it's hysterical how often it gets misspelled. I used to be like, 'No one capitalizes my D!'
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I'm somewhat of a perfectionist, I think, and I strive for perfection.
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We are dealing with treachery and threats, which accompanied the establishment of Israel.
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Andy Andrews is the best speaker I have ever seen.
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I like to change characters and then, slowly I believe the audience treat me as, like an actor who can fight. It's not like an action star.
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I can go back to poverty if a situation comes. I have sailed through the worst days of my life, and I am prepared for any crisis.
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I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.
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What there is no dispute about is whether or not China is a currency manipulator. They are a currency manipulator. They actively intervene every single day to keep the value of their currency less than it would be against the dollar than if it floated freely. We think. Even China barely disputes that.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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There are other ways of finding satisfaction, recipes for human happiness, enjoyment, dignified and meaningful, gratifying life, than increased consumption that increases production.
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I love working with the right actor, and if the right actor happens to be unknown, that should be allowed, too, I think.
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The U.S., especially Hollywood, is so strong for film production.
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I am devoted to my husband and son. I am devoted to the practices and rituals that imbue our lives with a sense of meaning and purpose, that help me to live my days in the most emotionally and intellectually productive manner. I am devoted to the idea of devotion itself.
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Intellectuals try to keep going. But their situation is very difficult. Those who have had the courage to voice their opposition have often paid a very high price.
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I did play other sports growing up. I played cricket and all those other things, but I was just so much more talented in golf, and that's all I wanted to do.
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You know you're a hopeless record nerd when your time travel fantasies always come around to how cool it would be to go back to 1973 and buy all the great funk and jazz and salsa records that came out that year on tiny obscure labels and are now really rare and expensive.
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I mean, I don't like sitting at a table with seven or eight people asking me questions and kind of listening to what I'm doing - scrutinizing my thoughts and things like that. I just don't like it. I can't understand how anyone would.
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Some of the inspirations I had as far as following that story would be, like, say, "The Good, The Bad and The Ugly," the way they use the Civil War in that, or even the idea that - the movie that Leone was going to do before he died was going to be a movie about the battle of Stalingrad.
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Sports cars from the '50s and '60s are my favorites.
