J. G. Ballard Quotes
Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time.

Quotes to Explore
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I look at 'Death Proof' and realize I had too much time.
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For all intents and purposes, I'm a woman.
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I think people can tell when you're pandering to them, and they feel insulted. I think that one thing that is really nice about the work that I do is that I can just sort of make mistakes or try out different ideas or be inconsistent and be vulnerable.
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I do not believe in any legacy. The past is dead and gone.
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Every piece has its own identity which we develop by the rule 'We know no limits.' We follow the inspiration of the moment and don't worry if what we're playing is alternative, progressive or fusion rock.
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When I told the people of Northern Ireland that I was an atheist, a woman in the audience stood up and said, 'Yes, but is it the God of the Catholics or the God of the Protestants in whom you don't believe?
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You don't want to take the world over with a whole hamper full of dirty clothes. That's the main thing people overlook. And take a shower, take a bath every day.
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I don't watch television. I'm not a TV guy.
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I manage my business; politicians are doing their business. I can only work within their rules and regulations. I can't pick up a political fight.
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I had a sense of what leadership meant and what it could do for you. So am I surprised that I am sitting up here on the 62nd floor of Rockefeller Plaza? No.
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We are saved by grace, not by the works of the law. But don't be so quick to write the law off.
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I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.
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If I say 'Find me an interesting painting' to Google, someday a robot could go around the Picasso museum and take a picture for me.
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We need to have women in more powerful positions that are making decisions, so when that 10-year-old girl is looking up and wondering, 'What can I do and what do I want to be when I get older?' She has the opportunity to do and be whatever she wants.
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The 'Hercules' role just kind of came to me, but I had a lot of fun trying something new.
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If you're fortunate enough, you get to a position where you can be a little pickier about your roles.
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I knew that I wanted to be a writer even before I knew exactly what being a writer entailed.
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There must be something beyond slaughter and barbarism to support the existence of mankind and we must all help search for it.
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In America, when I first came here, they were used to wearing more make-up - thicker foundation, more Max Factor, that sort of thing. But you have to know who you are and what you look like: if you know yourself a little bit, you don't need to follow trends.
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I'm an entertainer: I want to make people laugh, cry. I want to move them.
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Johnny Carson was a big influence on me - all of those shows I did with him over the years, like, 100 of them, they made a bit of a name for me at the time, so that part of my life was very good.
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In the '80s, I got tired of the rat race. It was a terrible time for music. I wasn't part of that whole MTV craze. I did 'Go Ahead and Rain,' which was Madeleine Stowe's first bit, but felt no connection to it. I went many years where I didn't have to work.
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He who never leaves his country is full of prejudices.
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Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time.