J. G. Ballard Quotes
'Crash' is a metaphor for what I see as the dehumanizing elements that are present in the world in which we live. We're distanced by the nature of the society we inhabit from a normal human reaction.
Quotes to Explore
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I was able to really see that connection as a football player where success requires a lot of hard work and effort, physically and mentally.
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I think some people think I'm, like, anti-label, and I'm not. I just wanted to sign a deal when the time was right. I'm anti being shot out of a rocket when you're not ready and the songs and image aren't there.
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That's what I like to do, I like to make songs.
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I think there are ways to get so caught up in your career and being so heavy and dramatic, and everyone wants to be a tortured genius.
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I mean, I was always interested in people like Lenny Bruce, people who are breaking the old rules and making new ones.
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The simpler I keep things, the better I play.
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We make assumptions: nurses should be nice, teachers should be good. But everyone has a dark side, some darker than others.
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You get to a point where you really can't manage more artists, because representing artists takes a lot of time.
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I don't know how to make Harper and Alloy want me, not just my name.
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It is not important what Rahul Gandhi thinks, its important what a billion Indians think.
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Charity is a very personal equation, like we say charity begins at home. It starts with your immediate help in the house: the people who work for you.
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Feminists have confused opportunity with outcome.
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I was born in England, but then I lived in Calgary, Saudi Arabia, Cyprus, India, Vancouver, London, Toronto, and now L.A.
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Before Booker T. Washington, we have small business owners but we do not have a philosopher of black entrepreneurship, and that's what Washington was.
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I think success happens when it's supposed to and when you can appreciate it. I am grateful that it didn't happen for me at 22 or 23. I would've been foolish enough to think that we're all entitled to it, instead of it being the divine blessing that it is.
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'EIla Enchanted' began in a marvelous writing course at New York City's The New School.
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I think I happened to work with sort of a bunch of slightly difficult male directors when I was a kid. I've since worked with lots of male directors that I love, so I no longer see the distinction gender-wise.
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I started playing guitar when I was eight. Well, I started piano and really liked it but never practiced, but it taught me how to read music, and then my mom signed me up for guitar lessons, and I connected to that way more.
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I think social media is so important; the young bands have certainly embraced that and used that to their advantage.
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Sometimes I not only stand there and take it, I even smile at them and say I'm sorry. When I feel that smile coming onto my face, I wish I could take my face off and stamp on it.
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You can not operate in this room unless you believe that you are Superman, and whatever happens, you're capable of solving the problem.
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This Network Generation have grown up in a connected world. With Skype, Facebook, Twitter and the Internet, the world is at their fingertips via their smart phone. They find the idea of watching TV programmes at a time to suit the broadcaster quaint and old-fashioned.
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'Crash' is a metaphor for what I see as the dehumanizing elements that are present in the world in which we live. We're distanced by the nature of the society we inhabit from a normal human reaction.
