J. G. Ballard Quotes
'Crash' is a metaphor for what I see as the dehumanizing elements that are present in the world in which we live. We're distanced by the nature of the society we inhabit from a normal human reaction.
Quotes to Explore
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I was able to really see that connection as a football player where success requires a lot of hard work and effort, physically and mentally.
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I think some people think I'm, like, anti-label, and I'm not. I just wanted to sign a deal when the time was right. I'm anti being shot out of a rocket when you're not ready and the songs and image aren't there.
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That's what I like to do, I like to make songs.
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I think there are ways to get so caught up in your career and being so heavy and dramatic, and everyone wants to be a tortured genius.
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I mean, I was always interested in people like Lenny Bruce, people who are breaking the old rules and making new ones.
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The simpler I keep things, the better I play.
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We make assumptions: nurses should be nice, teachers should be good. But everyone has a dark side, some darker than others.
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You get to a point where you really can't manage more artists, because representing artists takes a lot of time.
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I don't know how to make Harper and Alloy want me, not just my name.
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It is not important what Rahul Gandhi thinks, its important what a billion Indians think.
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Charity is a very personal equation, like we say charity begins at home. It starts with your immediate help in the house: the people who work for you.
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Feminists have confused opportunity with outcome.
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I was born in England, but then I lived in Calgary, Saudi Arabia, Cyprus, India, Vancouver, London, Toronto, and now L.A.
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Before Booker T. Washington, we have small business owners but we do not have a philosopher of black entrepreneurship, and that's what Washington was.
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I think success happens when it's supposed to and when you can appreciate it. I am grateful that it didn't happen for me at 22 or 23. I would've been foolish enough to think that we're all entitled to it, instead of it being the divine blessing that it is.
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'EIla Enchanted' began in a marvelous writing course at New York City's The New School.
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I think I happened to work with sort of a bunch of slightly difficult male directors when I was a kid. I've since worked with lots of male directors that I love, so I no longer see the distinction gender-wise.
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My main problem with fiction is that once my characters get moving, you just have to follow them along and get out of the way of the story, but sometimes they pull me in too many directions, and I need to focus.
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I want to create a space that moves people. It doesn't matter if it is a house, or a museum, or whatever. So, it is somebody sitting on that lawn, just going around and around and feeling really happy. That is something that I'm striving for.
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Brazil is where I belong, the place that feels like home. They love their family, their country and God, and are not afraid to let anybody know it.
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I think it tends to be overused and can be a little bit gimmicky. A lot of people are using 3-D now because they feel have they have to... that will come and go and the pictures that deserve to be in 3-D will continue to be. When it's done bad, it can make you carsick.
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I support giving President Obama the ability to negotiate and complete new trade agreements with some of the fastest-growing economies in the world.
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'Crash' is a metaphor for what I see as the dehumanizing elements that are present in the world in which we live. We're distanced by the nature of the society we inhabit from a normal human reaction.
