Nawazuddin Siddiqui Quotes
I can go back to poverty if a situation comes. I have sailed through the worst days of my life, and I am prepared for any crisis.

Quotes to Explore
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I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
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Excellence is not a skill, it's an attitude.
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Great amount of scientific research is there to show that health is better because transcendental meditation deals with consciousness, and consciousness is the basic value of all the physical expressions. The entire creation is the expression of consciousness.
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When we were children, we used to think that when we were grown-up we would no longer be vulnerable. But to grow up is to accept vulnerability... To be alive is to be vulnerable.
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There's such a preoccupation with liquidity and such an unwillingness to invest beyond the horizon of the next quarter and making sure that the CEOs hit their quarterly earnings.
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I began hearing rumors of apossible recording session with Neil Young. I was a huge fan of Neil's.
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I was a dancer when I got discovered, and I started working immediately. I started being in commercials and doing guest star roles. My first big thing, which happened maybe six months after being discovered, was 'Bring It On: All or Nothing.'
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I know I could be the host of 'SportsCenter' in two years if I changed my show today to sports.
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I decided in my late teens that I wanted to be an actor, and my dad and I agreed that films were better. I work alongside my dad, you see. I've thought that films were better since I was a kid.
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To understand why dictators have a problem with making peace - or at least a genuine peace - the link between the nature of a regime and its external behavior must be understood.
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Shoes make an outfit; they're like rims for a car.
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If I could travel back in time, I'd bring back the entire Wu-Tang Clan.
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I'm from Long Beach - not the best area in the world - and I had a lot of ghetto friends growing up.
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When I was on a major label I felt obliged to say yes to every interview, tour and whatever else. The label is always telling you, 'This ain't going to last,' so I worked myself half to death. I learnt from that and I like to pace myself now.
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Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward?
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It all begins with the initial tone coming from the cabinet, but EQ at the board is very important.
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I had no plan to write a western novel, and when I realized it was happening, I was pretty surprised by it. But you have to go with what feels right.
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Bad people are, from the point of view of art, fascinating studies. They represent colour, variety and strangeness. Good people exasperate one's reason; bad people stir one's imagination.
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Friendship always benefits; love sometimes injures.
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I've got lots of friends who are musicians, and there is a fair proportion of broken marriages and relationships as a result. You are on the move all the time. It's difficult if you have kids, and it's hard to make money unless you are in the premier league.
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The greatest and most important problems of life are all fundamentally insoluble. They can never be solved but only outgrown.
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I never had money; I like nice things, but I don't let that run my life. At the same time, I have to let something drive me... so now I let the money drive me.
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I always question myself, but I always say, 'Come on, we can do something good.'
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I can go back to poverty if a situation comes. I have sailed through the worst days of my life, and I am prepared for any crisis.