MaryJanice Davidson Quotes
Quotes to Explore
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I have a classic taste with a twist, because classic never goes away.
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I have spent a lot of time listening to people who are serving life sentences and getting to know them and the circumstances of their lives. I have never met anyone serving a long prison sentence who had anything close to what I could call a childhood; instead, the upbringings always - always - involve extreme situations of poverty and abuse.
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When I won the belt, it was kind of a precedent... The only Canadian to have ever held it.
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The cause of our difficulties in southeast Asia is not a deficiency of power but an excess of the wrong kind of power which results in a feeling of impotence when it fails to achieve its desired ends.
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I never gave it that much thought to pursue acting or anything, but I would definitely be a Bond girl if they asked me. For sure - I would make a great evil Bond girl!
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A celibate clergy is an especially good idea, because it tends to suppress any hereditary propensity toward fanaticism.
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When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
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Salaries and wages must reflect the reality of the enterprise's economic performance; deviations from the planned performance should be reflected in pay.
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Personally, of course it's exasperating when people think you're just swanning around in Europe, going to the occasional fashion show and then being glamorous at a party.
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I love the simplicity and freedom of running. A pair of shoes, and you are all set to explore new trails.
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Being the world's greatest athlete just does not get it done on the golf course.
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In most cases, my favorite Jethro Tull songs will be determined by how I feel about them as live performance songs, not by the recorded identity.
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It's funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film 'Death Sentence,' and I got back with him again in 'Inside Llewyn Davis.'
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In theatre, you've got to make the connect with your audience in the first three minutes. If you haven't, you know you've almost lost them.
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The only rule is don't be boring and dress cute wherever you go. Life is too short to blend in.
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I was born in Patterson, New Jersey, and raised pretty much all around the country. My family tended to move from place to place following economic prospects and jobs and looking for new opportunities, so we changed schools, colleges, grade schools, high schools every 6 months to a year - depending on the breaks.
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One of the great things about music is that it has the capability of time travel - you smell a certain smell in the room and it takes you back to your childhood. I feel like music is able to do that, and it happens to me all the time.
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I get recognized by some people in my community, but not a lot. In fact, they would say, 'What do you do?' And I would say, 'Well, I did 'The Bernie Mac Show.'' And they would say, 'Oh, really? Well, do you know so-and-so?' And I'd say, 'Yeah, I hired them. I was the boss!' They don't believe it.
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When we first met, I was trying to put a band together. I asked around at school for other guys who wanted to play in a band. Someone told me about a juvenile delinquent they knew who played bongos.
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I remember when I took the role on E.R., I thought, 'I haven't really been able to play a working class woman. I've played girls, I've played funny, but I haven't played a working class woman. That sounds like something I'd like to do.'
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When I started out, everyone seemed to be adopting these names... Johnny Rotten, Sid Vicious. I wasn't really Rotten or Vicious or Nasty, so I wanted something a bit more funny - yet something that seemed real rock 'n' roll... something that acknowledged my ambition.
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The body has a mind of its own.
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I can't not write funny. It's literally the only way I know how to do it.
