Mason Cooley Quotes
Quotes to Explore
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Stories about the ongoing dramas in our lives as we age are not being told because women find it difficult to be honest about what's going on - about, for example, our heightened sexuality as we age or about living in a society that only values youth.
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The main thing I want to do is make people feel more connected and more active.
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There is a lot of noise out there. I don't want to follow the trend - I want to create the trend.
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I want my son to become aware that he is in charge of the choices he makes, and it's good to make thoughtful, good choices.
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I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.
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The ideas keep going, you have the material, you cut because there's a limit to the space allowed to you. And the space is limited because of some other constraints that have to do with money or printing or whatever.
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All of us are trying to achieve 100 percent in our work. That's all we struggle to do. We never do, but we never stop trying until the day we die. It's that struggle to achieve 100 percent, that's where our performance lies, that's what the audience gets. They get the struggle.
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The story of technology seems to go up and then retract into simplicity again.
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I like talking to priests, to Catholics. Everyone has their beliefs.
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Many have said of Alchemy, that it is for the making of gold and silver. For me such is not the aim, but to consider only what virtue and power may lie in medicines.
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I think it's like, you know, you can't get ahead of yourself, because no amount of success or exposure or opportunity is going to really matter or be ultimately fulfilling unless you can be totally present in what you're doing right now.
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It's nice to know when you're a part of a story, it's nice to know at least something about the beginning, middle, and end.
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I was raised Jewish and bar mitzvahed.
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Economics has paid a terrible price for its dalliances with the Keynesian and neoclassical theories.
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'The Creation' presents an argument for saving biological diversity on Earth. Most of the book is for as broad an audience as possible.
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If you wanted to show a mirror to people that says, 'You've been drunk on money,' they're not going to want to see it. But if you reflected that mirror on another time they'd be willing to. People will need an explanation of where we are and where we've been, and 'The Great Gatsby' can provide that explanation.
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I wear a lot of boyish stuff, but I prefer to throw a fur coat on top just for the hell of it.
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One of the saddest things I've seen in Amazonian cultures is people who were self-sufficient and happy that now think of themselves as poor and become dissatisfied with their lives. What worries me is outsiders trying to impose their values and materialism on the Piraha.
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You're always carrying something that's interfering. It's like static noise that doesn't have to be there, and you have to school yourself to clean that out.
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There definitely will be flying cars, but whether there'll be flying cars for most people to use, it'll probably take a long time to straighten everything out, all the rules and hassles. It'll take a while to figure out how to keep people from crashing into each other.
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Thankfully, it became clear to me that when I compete, I lose my connection to the passion I have for my work.
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Usually when I drank too much, I could guess why I did so, the objective being to murder a state of consciousness that I didn't have the courage to sustain--a fear of heights, which sometimes during the carnival of the 1960s accompanied my attempts to transform the bourgeois journalist into an avant-garde novelist. The stepped-up ambition was a commonplace among the would-be William Faulkners of my generation; nearly always it resulted in commercial failure and literary embarrassment.
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The novel avoids the sublime and seeks out the interesting.
