Matt Gonzalez Quotes
I've run for office, and I've stood on street corners, while people walked by me and didn't want to talk to me, and did not think I was a credible candidate. And then four years later, I was nearly elected mayor of San Francisco, so I know what it takes.
Quotes to Explore
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I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
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Five to six thousand people die every year waiting for organs, but nobody cares.
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I was devastated when I got the review for my first book. The book came out a couple years before the women's movement broke through, and people were putting it down, asking, 'Why does the woman in this book need to get a divorce? Why can't she just shut up and be happy?'
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Johnny once described our relationship by saying we were as close as two people could be without being married.
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The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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Doing leads more surely to talking than talking to doing.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!
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I have no regrets. I wouldn't have lived my life the way I did if I was going to worry about what people were going to say.
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I'm not one of those people who wake up chatting. I usually don't want to speak for the first 10 or 20 minutes. And I don't really want you to talk to me either!
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I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
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Humour allows people to exhale a little.
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Some people say I have attitude - maybe I do... but I think you have to. You have to believe in yourself when no one else does - that makes you a winner right there.
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One of the things about my ministry is that I have never branded myself as being above the people or superior to people.
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It's not the people in the South who create racial problems - it's the people who are governing.
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I don't think I can play a role without falling in love with something about her; even the most despicable people who I have portrayed had some aspect of them which I found beautiful.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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To build a character like Henry Warnimont required a few weeks and months of work. It turned out he was basically a very kind and generous man, which he covered up with his surface gruffness and surface bluster. And the kind of hopeless quality, that 'everything goes wrong' kind of thing.
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I'm worth more dead than alive. Don't cry for me after I'm gone; cry for me now.
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I love doing a show that makes no mention of ethnicity.
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I'm severely overrated. I'm just above a hack.
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I wish I were brave, although I try. I work too hard and don't play enough. Too much work ethic, not enough 'fun'.
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I've run for office, and I've stood on street corners, while people walked by me and didn't want to talk to me, and did not think I was a credible candidate. And then four years later, I was nearly elected mayor of San Francisco, so I know what it takes.
