Ralph Steadman Quotes
Those Fear and Loathing drawings were only possible for me because of the America's Cup six months earlier, which injected the the drawings with the eerie sense of being there to record the sensations. It was a regurgitation, a psycho-artistic vomit - a creative, cathartic cleansing of my inner being.
Quotes to Explore
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I've been writing music since 4th grade, and I love putting words together and expressing things in a way that you can move your head to and you can really relate to, because I have a lot to say.
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Life in California is beautiful.
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I would love to be a role model.
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Anyone who thinks it's smart to cut immigration is sentencing Australia to poverty.
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If I didn't believe in what I'm doing, I'd rather go to work in a dime store.
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Anyone can call himself a promoter. Anyone can call himself a promoter and stage a fight. Unlike other professional sports, whose owners collude out of mutual interest in their sport's image and general welfare, there are no real alliances or partnerships in boxing.
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In the future, I'd like to see paleontology as a whole get a lot more quantitative.
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Story was that human civilization started to develop with first social network. Emerged where population concentration was high. Helped propel to where we are now. Facebook is next step of creating a huge human brain to embrace hundreds of million, possibly billions of people.
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You ask any person in the U.S. and they know who Mary Lou Retton is.
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I find end-of-the-world stuff enthralling - to imagine how life will be in the future on Earth and in space!
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I definitely want to win a gold medal, that should be everybody's goal.
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He who indulges in falsehood will find the paths of paradise shut to him.
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My quality of life here in Quebec City is extraordinary.
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The question of modernization is central to disturbances in the Middle East and in Africa. Everyone is after modernization, no matter where they come from. But you have to be careful about it, and more importantly, you have to have sense about it.
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A theory is no more like a fact than a photograph is like a person.
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For seven years I did very little theatre, and I have to make up some time.
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It wouldn't bother me at all not to play on my own album.
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My grandfather gave me my first guitar, an old acoustic with palm trees and dancing girls painted on it.
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We are bombarded with reasons to stay inside: we're afraid of mosquitoes because of West Nile and grass because of pesticides and sun because of cancer and sunscreen because of vitamin-D deficiency.
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Our age gives the more receptive among the young such a sense of social responsibility that one is inclined at times to fear that social interests may encroach upon individual development, that a knowledge of all the ills affecting the community may act as too powerful a damper on the joys of youth.
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There's a really great documentary called 'Many Rivers,' which documents the totality of slavery from its inception, and then it gives you a little history on how America came to prominence. It's crazy - the first black man to actually step foot in America came as a free man, as an explorer, with the Spaniards.
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So when the 1960's came along I was feeling split, schizophrenic. The war, what was happening to America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything-and then going into my studio to adjust a red to a blue.
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Those Fear and Loathing drawings were only possible for me because of the America's Cup six months earlier, which injected the the drawings with the eerie sense of being there to record the sensations. It was a regurgitation, a psycho-artistic vomit - a creative, cathartic cleansing of my inner being.
