Matt Ross Quotes
My background is in largely in theatre and acting. I grew up in a town with a well-respected Shakespeare Festival, and I fell in with some kids whose parents worked there. We staged all-kid versions of 'Hamlet', 'Cymbeline', a few others. All the while, I was making short films; monster movies, slapstick comedies, claymation.
Quotes to Explore
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I didn't want to leave Newcastle, but that's football.
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A sack is way better than any nightclub. A touchdown is way better than any bar experience I've ever had.
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Art is the final cunning of the human soul which would rather do anything than face the gods.
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I like to look at 'A Place in the Sun' every now and get inspired by it.
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The 'Room 93' EP was just kind of picking apart the sense of voyeurism and the sense of isolation and turning it into, essentially, a little black book and reflecting on - at that time - 19 years of me forming relationships with people.
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Jewelry, to me, is a pain in the derriere, because you have to be watching it all the time.
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In U.S. sports, you tend to be pretty strictly limited by the size of your team's market. When we heard that Villa was a club here that might be available, I had a strong feeling that a team in the West Midlands could be the chance to create something very special.
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Persistence is to the character of man as carbon is to steel.
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A lot of people I make music with are really talented and it doesn't stop at one instrument.
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You can't, no matter what anyone says, build a movie around someone.
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Readers let me know that they like books that have more to them than meets the eye. Had they not let me know that, I never would have written 'The View From Saturday.'
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Personally, becoming a mother has been such a rewarding and wonderful experience. However, at times it has also been a huge challenge. Even for me who has support at home that most mothers do not.
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A man that ain't willin' to cheat for a poke don't want it bad enough.
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I believe we are our own inner hand - the godly power resides within each of us to create the lives we desire - no matter what the challenges!
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I don't know that I'd call myself an optimist.
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When 'Carmen' premiered in 1875, it was panned by the critics. It survived 45 performances. It was called a musical and moral outrage. After Bizet died, at age 37, 'Carmen' became wildly popular. If you believe in your creation, and the rest of the world is laughing or yelling 'Boo,' don't give up.
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We all have hourglass figures; your sand just settles in different places.
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I have been connected with the Niels Bohr Institute since the completion of my university studies, first as a research fellow and, from 1956, as a professor of physics at the University of Copenhagen. After the death of my father in 1962, I followed him as director of the Institute until 1970.
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The way I choose voice talent is I don't let them tell me who the actor is.
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I would love to do more music, definitely. That is my true passion. Dance is first and then music.
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I think there's a responsibility more as an artist to try and push in the direction you think comedy should go... The biggest thing I could do for the art that I love was keeping it art: keeping it special, keeping it honest, keeping it truthful.
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A great wind swept over the ghetto, carrying away shame, invisibility and four centuries of humiliation. But when the wind dropped people saw it had been only a little breeze, friendly, almost gentle.
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My background is in largely in theatre and acting. I grew up in a town with a well-respected Shakespeare Festival, and I fell in with some kids whose parents worked there. We staged all-kid versions of 'Hamlet', 'Cymbeline', a few others. All the while, I was making short films; monster movies, slapstick comedies, claymation.
