James Veitch Quotes
I'd really like to be able to whistle with two fingers. Is this a biological thing? Is it to do with the teeth? Who teaches people to do this? How do I learn?
Quotes to Explore
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I have a great sensitivity to kids. I have a great sensitivity to the people that fall between the cracks.
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Many people resented my impatience and honesty, but I never cared about acceptance as much as I cared about respect.
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I'm a man of different types of flavors and tastes. I like listening to things that inspire me. Older music, when instruments were being played, not just people hitting buttons. It's manlier. You're touching things to make sounds appear.
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I'm still shocked when people say, 'You haven't done a studio record in 20 years.' I try to make excuses for it, but the truth is I just wasn't with it.
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The more people pointed at me in scorn the more stubborn I got and when they began calling me the Bad Girl of West Seattle High, I tried to live up to it.
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I don't have a mentor in the strict definition. I take as much advice and inspiration as I can from the people I am close to.
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A complainer is like a Death Eater because there's a suction of negative energy. You can catch a great attitude from great people.
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AIDS is a horrible disease, and the people who catch it deserve compassion.
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Reading a piece of poetry with no beat in front of 20 people is way more challenging than rocking for 10,000 people.
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I've done loads of things people have never seen - dramas on BBC4 and plays upstairs at the Royal Court and the Bush - and because I didn't go to drama school, they gave me an education.
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Quite understandably, people think that if there's a six-year gap or whatever, that it's taken me six years to make the album. It's not really like that at all.
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I'm not confident around compliments or being celebrated, and I'm not comfortable with the thought of envy, which some people thrive on.
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We have this historic problem that we have a quarter of our population, the people of Quebec, who have never signed on to the Constitution. That can't go on forever.
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Many people who want to be great aren't willing to do the work to make it possible!
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I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
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Writers, particularly poets, always feel exiled in some way - people who don't exactly feel at home, so they try to find a home in language.
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When people recognize your work and want to reward you for what you've done, that's a good feeling.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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I had a great conversation with Tom Waits, of all people.
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I believe in diversity in front of and behind the camera.
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And in my private life I prefer not to pass myself off as what I'm not (Daniel Brennan)
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Yes, Pluton, actually, in the play. And I play him in my most stentorian voice.
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Have to? Of course you have to! But only because of you, Harry, won't rest until Voldemort is finished! Think now, for once, if you have never heard of the prophecy! What would you do?
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I'd really like to be able to whistle with two fingers. Is this a biological thing? Is it to do with the teeth? Who teaches people to do this? How do I learn?
