James Wan Quotes
For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional, and I want you to be engaged with not just the scene but with the characters.
Quotes to Explore
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We live in a fast-paced culture where we're asked to make snap decisions all day long, so I suppose cash-point donations feed into the immediacy of our life experience. So it's a great idea. But I think it needs careful handling.
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Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.
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Instead of assuming that emotional intelligence is always useful, we need to think more carefully about where and when it matters.
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I got the travel bug when I was quite young. My parents took me and my sisters out of school and we travelled all over Europe. It was an eye-opening experience and, although I love Norway, I also enjoy visiting new countries. I don't get homesick.
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The whole experience on 'Grown Ups 2' was like going to adult summer camp.
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When you start writing about the stuff that is the central experience of your own life, you can talk about whatever you want, in whatever way you want.
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Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
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No matter what's happening in the Middle East - the Arab Spring, et cetera, the economic challenges, high rates of unemployment - the emotional, critical issue is always the Israeli-Palestinian one.
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No man has a right to expect to succeed in life unless he understands his business, and nobody can understand his business thoroughly unless he learns it by personal application and experience.
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'Cold Case' was fun. It was a fun experience. That was right when I was cutting my teeth as a TV actor. It was a great learning experience to work on really fast-paced television shows that are very high quality. It was a place where I learned that I had to keep up and I could keep up.
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'Red Knot' is a film that I shot in Antarctica almost three years ago on a boat. It was a film that was improvised and it had very interesting circumstances while making the film, obviously. We were on a small boat bobbing around in Antarctica. It was a really remarkable experience.
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Hugs are helpful, especially when women step out into a mostly male political world. Emotional support, at critical moments, enables women to stay in the race.
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I don't often do a lot of that kind of research, but when it's something specific like 'Oz' - which I fortunately did not have a lot of experience with - I will. I read 'The Hot House,' about being on the inside at Leavenworth prison.
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I was a semiotics major at Brown, and there's this idea that stories are better, books are better, and movies are better if they cocked you off your axis and you were completely disoriented and you'd really have to rethink everything. Nobody has that experience, actually.
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Don't send out a newsletter just to send out a newsletter. One newsletter a year that is really interesting is more beneficial than 12 that are boring. If you write two or three boring newsletters in a row, your readers will start to think you write boring books.
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I haven't written about an immigrant experience because I haven't experienced that before and am focused on existential themes.
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In my experience, 'SNL' has Lorne Michaels, who is, you know, the captain of the ship and gives the show direction and a singular focus, whereas 'MadTV' - even in my 13 episodes there - had maybe one too many cooks and was a bit more chaotic creatively.
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The history of Israel-Palestine conflict cannot be understood without its underlying emotional meanders. The emotional frameworks of the loss of Palestine for the Arab-Islamic world touched deep scars that go back to the Crusades, symbolizing a proof of Arab-Islamic decay, political impotence, and perceived (British/French) betrayal and antagonism.
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There are a lot of different facets to my personality that I don't use all the time in my house, or in everyday life, that I can experience and share when I'm on a stage.
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Every role that I have taken on has demanded some kind of emotional range. I really, really would love to do a comedy, but that opportunity really hasn't opened up.
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I'm so sick of people misunderstanding Asians in America and what we're about.
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You have to talk about mistakes and then talk about what you have learned and how to move forward. You acknowledge missteps right away, you deal with them, and you move ahead.
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For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio as well. It's emotional, and I want you to be engaged with not just the scene but with the characters.
