Jamie Lynn Spears Quotes
Do people have an idea of who they think I am? Yes, and that's fine with me. My music will speak for itself.
Quotes to Explore
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In the last 5 years, American employers have lost over $150 billion of productivity to depression alone. That is more than the GDP of 28 different States during the same period.
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When a book leaves your hands, it belongs to God. He may use it to save a few souls or to try a few others, but I think that for the writer to worry is to take over God's business.
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I think most writers will say that at the start of each book they think, 'I'm not sure I can do this.' But eventually, you reach a magical point where the story suddenly becomes real to you, and you become totally invested in it.
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I don't like to practice; I like spontaneity. When I don't play guitar for a week and I pick it up again, I play better.
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Interestingly, one thing I've found that neither women nor men give up on is the idea of men as protectors. Even in cases where the woman is earning more, they'll often tell me that if there were a fire or something, they would expect the man to be the one to protect them.
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I know exactly what it's like to stand on top of a tall building or in a high place and look down and go, 'Ohhhh my God.' I try to get into that place every time I write a scene like that. And definitely when I write the action scenes, I get overheated and my heart goes really fast. I get very involved.
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'The Outsiders' cast in particular was a joy to be around - sweet kids, normal goofy teenagers off camera and serious artists on. They were great. I never got them mixed up with the characters, though. Each of them had his own strong personality.
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It is true that they paid much more attention to the trade unions because the trade unions were after all speaking for the rights and conditions of working men and women in their employment.
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As an actor, you don't want to play a one-dimensional character.
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For some reason, I just lack that ability to be embarrassed about going up to people. I even do it for friends if they want to ask someone out.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.
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My tastes and inspirational artists were always rather eclectic and diverse.
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I believe that when things are easy, people stay dormant.
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Watching game film motivates me a lot. It shows me what I need to work on and determines the specific workouts I do.
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It is no surprise that companies do not often respond to moral pressure alone. We need to hit them hard in their pocketbook and on their balance sheet. We need to show them that their stock prices will be affected if their actions encourage Iran's nuclear weapons ambitions.
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Artists and art institutions have to learn how to play hardball. A democratic society needs a democratic art and we have a right to demand it.
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The Masters is a sell-out annually, and even the scalpers mind their manners.
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I often shoot with scissors in my eyes.
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I'm lucky that people believe me when I'm in character.
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I wish people could have seen what they called our mansion. They would have been so disappointed, because it was just an old house that we fixed up, and I love the old house.
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We learn from history. That's what it's all about.
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This is the person you think is your antagonist, who ends up being your greatest ally: the person who pushes, criticizes, and challenges you to meet a standard of excellence you might not otherwise achieve.
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Do people have an idea of who they think I am? Yes, and that's fine with me. My music will speak for itself.
