Jan Koum Quotes
I grew up in a society where everything you did was eavesdropped on, recorded, snitched on. I had friends when we were kids getting into trouble for telling anecdotes about Communist leaders.
Quotes to Explore
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Where are the gains for religious freedom and human rights to justify all the bombings, invasions and wars we have conducted in the lands from Libya to Pakistan - to justify the losses we have endured and the death and suffering we have inflicted?
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I think downloading is both saving and killing the music industry at the same time.
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My parents came to see me in a play at Eton when I was 16. And then, when I said I wanted to try for drama school, they knew there was enough passion there for them to be brave and back me.
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Comparing in the past years, Tamyra Gray and everyone else that didn't win but their careers are doing well.
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I'm an actor, and I like having attention, I guess. There's a reason I like being on stage. There's a reason I like being in front of a camera. It's that interaction.
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You must always do what you feel is right.
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The thoughtful soul to solitude retires.
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It's only Western civilization that, God forbid, you talk about dying, when it's the only thing we know for certain, right? Everyone's going to die, so what's the big problem? 'Oh, God. Don't talk about it. Don't think about it.' I mean, I'm one of them. I'm not a big fan of talking about dying.
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I always say that I'm at my best when there's no example of what the character is supposed to be. I thrive when there's not much and I have to create it.
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That which prematurely arrives at perfection soon perishes.
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Don't avoid extremes, and don't choose any one extreme. Remain available to both the polarities - that is the art, the secret of balancing.
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I think you have to do certain things in the pilot to get your network's attention - to break through... So maybe you push a little further in the first show.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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Literature adds to reality, it does not simply describe it. It enriches the necessary competencies that daily life requires and provides; and in this respect, it irrigates the deserts that our lives have already become.
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I started writing 'The Lord of Opium' in 2008 and produced about 80 pages before disaster struck. Three eye operations nearly put an end to my career.
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I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
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Glamour is about feeling good in your own skin.
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When you're actually making the film, you're constantly battling to maintain its integrity.
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Abstract sympathy with the working class as an economic entity is easy, but the feeling can vanish on contact with actual members of the group, who often arrive with disturbing beliefs and powerful resentments - who might not sound or look like people urban progressives want to know.
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I believe our concept of romantic love is irrational, impossible to fulfill and the cause of many broken homes. No human being can maintain that rarefied atmosphere of 'true love'.
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I lived in Red Hook, Brooklyn, for about 10 years, and then we moved out to Jersey City after my wife and I bought a house up in the Catskills. I miss Brooklyn, but the commute to the Catskills is about 45 minutes shorter.
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I'm good with digital technology, but I start to miss the physical world. I miss riding my bike, talking to friends.
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I grew up in a society where everything you did was eavesdropped on, recorded, snitched on. I had friends when we were kids getting into trouble for telling anecdotes about Communist leaders.
