R. C. Sproul Quotes
In the culture of pluralism...the only thing that cannot be tolerated is a claim to exclusivity.
Quotes to Explore
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Some foreigners with full bellies and nothing better to do engage in finger-pointing at us. First, China does not export revolution; second, it does not export famine and poverty; and third, it does not mess around with you. So what else is there to say?
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Nevertheless, there is another threat on the horizon. I see this threat in environmentalism which is becoming a new dominant ideology, if not a religion. Its main weapon is raising the alarm and predicting the human life endangering climate change based on man-made global warming.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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I act for love. I give it my all. I would probably still do it even if I wasn't paid at all. But in terms of equal pay, I need to be paid the same as the guy who has equal billing with me. Otherwise, I won't do it. Because if you accept less, you're just letting everyone else down and continuing the cycle.
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I hardly ever stretch the canvas before painting.
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We love those who know the worst of us and don't turn their faces away.
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Trees and plants always look like the people they live with, somehow.
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Just as appetite comes by eating, so work brings inspiration, if inspiration is not discernible at the beginning.
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When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
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Everyone asks me if I'm the princess or if my brothers beat me up. The younger ones I can deck pretty easily. With the older ones, it's harder.
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Hairdressers are a wonderful breed. You work one-on-one with another human being and the object is to make them feel so much better and to look at themselves with a twinkle in their eye.
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I take certain steps to make sure I'm relevant artistically. I always have new music and a reason to be on the road. I'm not just playing 'Get By' over and over. I have 12 albums.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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I've had horrible days where you wake up with a zit, and you have to film, and it's terrible.
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Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
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How do Ferrari know what I'm doing next year when I don't know what I'm doing next week?
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However old-fashioned and right-wing this may sound, the American genius for language lies in understatement, in saying things simply, pointedly and quickly, and in making new and clean and swift what otherwise might be ponderous, round and slow.
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With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.
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The big thing in my family growing up is that everybody had to play a musical instrument. We were like the von Trapps.
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With acting, I always feel conscious of what I'm doing.
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These days, I live on the grid – primarily because of medical issues. But I think that it would be hypocritical for a writer to condemn our surveillance culture and then appear on the Charlie Rose show to blather about personal details. Focusing on a writer’s life undermines the power of that writer’s ideas.
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Time had a way of moulding people into shapes they themselves no longer recognised.
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In the culture of pluralism...the only thing that cannot be tolerated is a claim to exclusivity.
