Penn Jillette Quotes
I love when violent, dangerous art is done by people who are not violent and dangerous. I love that when George Romero was making 'Dawn of the Dead,' he was coaching his son's little league team.
Quotes to Explore
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I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
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I retire every time I'm done with a movie. Then I go back. You know, I enjoy sleep. But I love to work; it's fun for me. As long as it continues to be fun, and I'm tolerated by the people around me, I will do it.
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The 'Islam vs. the West' dialogue ceased to be about real people a long time ago.
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What people are looking for are candidates and representatives that are going to work hard, tell it like it is. I'm unafraid to do things when it doesn't poll well.
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I made lots of talks and challenged lots of people.
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Once you understand that Goliath is much weaker than you think he is, and David has superior technology, then you say: why do we tell the story the way we do? It becomes, actually, a far more meaningful and important story in its retelling than in the kind of unsophisticated way we've done it for, I think, too long.
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I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
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We have peace with Israel. We're actually the last man standing. So there is going to be immense pressure and people asking, 'Why are we having this relationship when it's not benefiting anybody?' Obviously, my answer is you always benefit from peace.
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All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
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Throughout the 19th century, Britain bought cheaply from the countries of the empire and compelled subject countries to buy our goods at high prices.
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When people think girl adventurers, they tend to think of a spunky, plucky tom-boy with a chip on her shoulder. I'm not saying that this makes for a dull character, but I think other types of adventurous girls exist. It's easy to fall into well-established tropes, believing that the tropes of a genre define the genre itself.
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I never see myself as writing satire. I think I write about people as they really are, without making them better or worse.
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I know this independence is what people like most about my brand.
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I could try to incorporate or reflect in my models what it is that an employee, manager, or entrepreneur does: to recognize that most are engaged in their work, form expectations and evolve beliefs, solve problems, and have ideas. Trying to put these people into economic models became my project.
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I think the fans are going to expect a lot from me, as they should.
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Like every artist that comes out, you want to make a mark; you want to be a household name and you want to be someone that people are going to look back in ten years/fifteen years' time and go, 'I love this guy Olly Murs. He was brilliant back in the day; he was someone I really, really liked.'
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I usually find myself hiking in a place that not a lot of people go hiking, just trying to find some solitude. I like being out in the middle of nowhere. Not always, but it's a good place to go to just reflect and think, and it's something I really enjoy.
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Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.
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If you got a dope girl, there's going to be people that want her. But I don't know, I've always kept my 'A-game' on point. I just make a point to make sure the woman that I'm with is taken care of. You got to keep it new, so I go out of my way to make them feel special.
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I'm not over-reacting, but I do think people have to be a bit cautious when they say all kind of activities associated with witchcraft are harmless.
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Most students are presented only with the evolutionary belief system in their schools, and they are censored from hearing challenges to it. Let our young people understand science correctly and hear both sides of the origins issue and then evaluate them.
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I took a detour to France in my senior year in high school. So that's part of what ended up sending me, actually, to Middlebury because I went to school with people who were more from the Northeast.
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I love when violent, dangerous art is done by people who are not violent and dangerous. I love that when George Romero was making 'Dawn of the Dead,' he was coaching his son's little league team.
