Pierre Boulez Quotes
Quotes to Explore
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You know, if you look all my stuff... If you go back to 'Saturday Night Live,' my stuff always has music, even a bunch of my comedy stuff - like in 'Shrek,' the donkey is always singing. Music is always there.
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Basically hated everything made in the '80s, music television - it was really about the '90s for me. 'Encino Man' was a big hit. 'Robin Hood: Men in Tights.'
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A fashion show is like a 10-minute play, but there's all this anticipation; Everyone arriving, finding their seats, then there's 10 minutes of people walking past and clothes and music, then the whole thing is finished.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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Young kids should be doing music that has shock value. They'll grow out of it.
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I just love, love going around and traveling and bringing the music to people. They just make you feel so happy that you came.
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Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
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I think I need to accept the fact that I am where I am today because fans have shared my music illegally and legally, but I wouldn't be here today without the Internet, so I can't speak out against it.
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When I think about atheist friends, including my father, they seem to me like people who have no ear for music, or who have never been in love.
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Scandinavian crime fiction has become a great success all across the world and rightfully so. Sjowall and Wahloo ushered in a whole generation of Swedish crime writers, many of whom are now available in English.
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I don't tend to set out on huge world domination goals or have anything in mind. I just like to play. I like to gig a lot; I like to write music.
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We always make music and continue to make hits.
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Music is the best means we have of digesting time.
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If architecture is frozen music then music must be liquid architecture.
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Japan has really great fans for all kinds of music. I think they're keeping metal alive.
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I like rock music because it's always sonically fascinating. There's never a method to what it needs to sound like. It's just however that instrument comes out that day, whatever the humidity level was in the air, what studio you were at. All that makes that tone that you can't re-create, so each song is like a person.
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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The real reason we ended up getting into that type of music was our dad worked for an oil company so we spent a year overseas when we were young kids. Because of that, it was all Spanish TV and radio so we ended up having these '50s and '60s tapes, tapes of that music.
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I do put a lot of God in my music, but not because I'm super religious. There are a lot of demons in my music, too. I acknowledge both.
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When you here a conjunto and you hear another conjunto, you think it's like a continuation of the first. It's all the same, same, same. There's no variety, just the same music.
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Panic in Wall Street, brokers feeling melancholy.
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I don't pray because I don't want to bore God.
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I start really missing London when I go away. I have a little flat, but very central. I live above a pub and you'd think it'd be a nightmare, but I like hearing the music and it's quite comforting.
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'Music for Strings, Percussion, and Celesta' is a kind of expansion of chamber music.
