Jarrett J. Krosoczka Quotes
When I was in sixth grade, they slashed the budgets for all of our school art programs, so my grandparents enrolled me in art classes at Worcester Art Museum, which I attended from sixth to 12th grade.
Quotes to Explore
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It doesn't matter how much you want. What really matters is how much you want it. The extent and complexity of the problem does not matter was much as does the willingness to solve it.
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I'm writing in English; I'm writing for a Western audience, but the people I'm surrounded by in my daily life are mostly non-white.
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Pursuit and seduction are the essence of sexuality. It's part of the sizzle.
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I was a scapegoat. The media had to put responsibility on somebody, and I was chosen. They felt free to say that because someone was thin they were anorexic, which is ridiculous.
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I'm crazy about jewelry; swimwear and jewelry.
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Life wasn't about freeing up human souls. It was about creating obedient slaves in the hierarchical construction of the society - with God at the top, then the king and then the father.
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I moved to New York - I attended NYU, did a BFA in Acting at NYU. I was really into hip-hop, so I started battling, like '8 Mile.' I used to rap battle.
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You feel it in there, pacing your heart sometimes, and it has what's called a defibrillator. Should I suffer that arhythmia, it's generally sudden death. And the paddles that are internal shock you back and restore your rhythm to its normal and natural state.
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Initially, it would bother me when filmmakers, script writers, dialogue writers and choreographers tried to recreate a bit of my dad though me.
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If I got hit by a truck, I would want to go to hospital, but if something is bothering me I will see my naturopath.
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If I could only give three words of advice, they would be, 'Tell the truth.' If I got three more words, I'd add, 'All the time.'
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I'd repair our education system or replace it with something that works.
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I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted.
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Eighty-five per cent of the crowd is going to fall in love with me - they're going to feel it, wow. But fifteen per cent are going to think, 'This guy is obnoxious.' I spend enormous time with them - every negative review of 'Crush It!' on Amazon has a response from me - and I can probably bring back ten of the fifteen.
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I read nonfiction almost exclusively – both for research and also for pleasure. When I read fiction, it's almost always in the thriller genre, and it needs to rivet me in the opening few chapters.
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The most enduring stories in literature generally have some kind of crime at their center, whether it's the bloody butchery of 'Hamlet,' the lecherous misanthropes of Dickens or the lone gunman from 'The Great Gatsby.'
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Anyone who's seen me before knows that when it's fight time, I don't have much to say.
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I like to see a man proud of the place in which he lives. I like to see a man live so that his place will be proud of him.
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People, when they come up to me, are like, 'Did we go to high school together? Or did I make out with you at sleepaway camp?' And oftentimes, yes, that is the answer, because I went to a giant high school and made out with everybody.
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I think chicken and horse meat are ideal food because it's very easy to digest.
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I love technology, and I love new gadgets. I can no longer figure out how to use any of them, but I love them.
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One thing rap and rock have in common, a lot of it is focused on negativity. I like dark stuff.
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The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction.
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When I was in sixth grade, they slashed the budgets for all of our school art programs, so my grandparents enrolled me in art classes at Worcester Art Museum, which I attended from sixth to 12th grade.
