Jason Reitman Quotes
Comedy and horror are cousins; they're related. They both come from storytellers who want to specifically affect the audience and elicit specific reactions during the movie.
Quotes to Explore
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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The difference between working with actors that have put their time in the theater and just straight film and television actors is that you trust theater actors a lot more. You know that they're seriously more trained than anyone else because theater is the best place to grow as an actor.
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Gut feeling is all about the experiences that you have had in your life. It is about being in difficult scenarios, knowing what worked, what did not work, and then taking a decision.
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I am often critical of Israel's policies when in the country, but then feel defensive of them when overseas.
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The thing that I took away as an early fan from Bob Dylan was the storytelling aspects. He can tell some wicked stories.
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I used to have a sort of soft spot for Huckabee. He seemed to have a genuinely saintly streak, which caused him to defend illegal immigrants and give pardons to criminals who were perhaps a little less rehabilitated than he had imagined.
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Muzzle a dog and he will bark out of the other end.
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At the present moment, the security of coherent philosophy, which existed from Parmenides to Hegel, is lost.
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Anyone in the comedy world knows that Horatio Sanz and Chris Parnell are two of the funniest guys around.
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I quit college. I was studying architecture for about a year.
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I always tell people I want to see the world through His eyes, and I want people to see Him in me.
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It's very disincentivizing to have others take care of your needs.
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I think there's something really poetic about using nuclear power to propel us to the stars, because the stars are giant fusion reactors. They're giant nuclear cauldrons in the sky.
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A lot of my fans are young and hip and enjoy my pop album and know the lyrics to those songs as well, which is a real compliment to me.
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My father didn't know his last name. My father got his last name from his grandfather, and his grandfather got it from his grandfather who got it from the slavemaster.
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When I go out and I see the genuine appreciation from the people, that's a big thing for me.
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I live in a small world of gouache and brush and pen and ink. I'd like to explore the world of multiples - etching and prints.
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Police can only act on intelligence.
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I believe in the power of media. I really do. It's my soapbox. And I do have an agenda, because I'm enraged by the limitations forced on people - by poverty, oppression, hatred, fear - and I'm saddened by the kind of loss we all experienced due to the contributions that people cannot make because of their circumstances.
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I was 10 when I realised I couldn't stand football. I'd tried, obviously, before this - no one wants to give in to social pariah-hood without a fight. I had stood frozen on pitches, done some running about and shouted a lot, as though I cared.
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During my pre-college years, I went on many trips with my father into the oil fields to visit their operations. On Saturday mornings, I often went with him to visit the company shop. I puttered around the machine, electronics, and automobile shops while he carried on his business.
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There's a film I did called 'Front of the Class', about a teacher who had Tourette's. That was a beautiful blend of drama and comedy. There's some great moments of levity in the script.
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Comedy and horror are cousins; they're related. They both come from storytellers who want to specifically affect the audience and elicit specific reactions during the movie.
