Brian Lumley Quotes
If I had killed Crow off I can think of least six novels I would never have written, 400,000 words' worth of very necessary experience.
Quotes to Explore
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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If I were dying, my last words would be: Have faith and pursue the unknown end.
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I hate these platforms that are all over the place today; they are all about grabbing attention. They are suburban! I never do a platform. Well, I did, in the 1970s, but that was a bad experience.
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I might see something on TV and get inspired to write about it. I can't sit down and plan to write. It has to come to me in my head like someone telling me the words.
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When you start writing about the stuff that is the central experience of your own life, you can talk about whatever you want, in whatever way you want.
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I'll drive down the street, and I'll practice improv. I will sit there at a red light and see two guys talking to each other, and I will just start playing both characters. I can't hear them, but I can see their mouths moving, so I'll just put words in their mouths.
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The Internet is changing what entertainment and sports is. It's not just a few people authoring an experience for others. It's really growing out of what everybody does.
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My favorite Broadway show day-to-day, just for the experience, was 'The 25th Annual Putnam County Spelling Bee.' The people were so much fun. It was a great show.
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I agree that the two-party system stomps on any kind of competition. A great first step is to open the presidential debates to all qualified candidates, including the Libertarians. If that happens, the Libertarian party will experience unprecedented growth.
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The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.
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There's always something more to be accomplished with a character. Theater is a human experience. There's nothing shellacked or finished off about it. I guess that's why it always draws me back.
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Poetry is a form of mathematics, a highly rigorous relationship with words.
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The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine. Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
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If you want to understand Jesus, you have to study the whole Bible. Christian duty is not defined solely by the words in red.
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It's a new challenge to see how people can change your look. I like words like transformation, reinvention, and chameleon. Because one word I don't like is predictable.
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An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
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The red carpet is kind of a surreal experience. There's nothing normal about it, so for me the most important thing is to maintain some normality right until the point you get out of the car.
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I just think that the collective experience of going to see a film is something you can't recreate.
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Panama: '...a deadly spot the end of the world almost....There are 20,000 British coloured people working on the canal...; they are mostly from Jamaica & smell too revolting for words....the Panamanians are a very queer people, all dagoes of course, though very pompous and dirty' (31 March - 1 April 1920)
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Go far - too far you cannot, still the farther. The more experience finds you: and go sparing. One meal a week will serve you, and one suit, through all your travels; for you'll find it certain.
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A first preview is not exactly a pleasant experience for directors and actors. You're never as raw as when the audience first comes in.
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Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience--but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.
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If I had killed Crow off I can think of least six novels I would never have written, 400,000 words' worth of very necessary experience.
