Piet Mondrian Quotes
Through the very culture of representation through form, we have come to see that the abstract - like the mathematical - is actually expressed in and through all things, although not determinately.
Quotes to Explore
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I'm working now on a collection of Shakespearean sonnets, about 100 of them, that I may publish if anyone's interested. My take on life is a little different from the bard's.
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Give me chastity and continence, but not yet.
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I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
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In the music business, I found it was much more about interviews, photo shoots and appearances rather than actual performing, which I do best.
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Not to speak disparagingly of Justin Bieber or Rihanna, but they're not so hands-on with their image or their sound. They don't write the music. They have people doing things for them.
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If your aim is to attack the United States, it is hard to imagine a more difficult way of getting here than by posing as a refugee.
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People don't get through to the essence of you right away - it's always the famous 'girl' or the famous 'girlfriend'. I'd rather be known for myself.
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I don't believe that anybody has come to a conclusion on why something is funny. It's funny because it's ridiculous and it's ridiculous for different reasons at different times.
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We love those who know the worst of us and don't turn their faces away.
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I moved to New York when I was 21 and worked between 40 and 70 hours a week. Then I invested it all. It was really just a hustle. But I was kind of raised to work like that, so to me, it seemed very normal and natural.
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None are more taken in by flattery than the proud, who wish to be the first and are not.
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We are in favor of greater free markets.
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I am not the first man who wanted to make changes in his life at 60 and I won't be the last. It is just that others can do it with anonymity.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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Nothing is as frustrating as arguing with someone who knows what he's talking about.
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When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
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Sure, I'll have characters drop in and out of books but the main cast of characters always changes. Maybe I'm wrong but I think if had the same joe detective guy or gal, I wouldn't write them as well; I wouldn't do as good a job.
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It takes one person to give you a big chance.
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You're either in it for the long haul or you're not.
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I could have been a lot more famous and played leading men and everything. For whatever reason, I didn't go for it.
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This is the great new problem of mankind. We have inherited a large house, a great ‘world house’ in which we have to live together– black and white, Easterner and Westerner, Gentile and Jew, Catholic and Protestant, Muslim and Hindu– a family unduly separated in ideas, culture and interest, who, because we can never again live apart, must learn somehow to live with each other in peace.
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I think the best thing I ever did was never tell anyone I wanted to be an actor. I find if you tell people what you're dreaming about, they'll usually come up with lots of reasons to not chase your dreams.
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I've come up with another formulation about style: that it's essentially a manifestation of a certain habitual set of limitations. It's what a composer does NOT do that defines a style.
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Through the very culture of representation through form, we have come to see that the abstract - like the mathematical - is actually expressed in and through all things, although not determinately.
