Jay Chandrasekhar Quotes
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The reality of show business - and I suppose a lot of businesses, but specifically show business - is that it is this business of 'no's.' It's mostly 'no's.'
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I have used the name Jambulingam while editing films such as 'Super Troopers' and 'Puddle Cruiser.' I like the look and sound of it.
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If you want to provide for your family, maybe show business is not a high degree of success. You will need to keep your day job until you make it, and know it's an odds thing just like the NFL. I personally wouldn't recommend anybody to go into this business.
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People always ask us, 'Hey, is there going to be a 'Beerfest 2'?' I don't know if I have another beer joke in me.
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Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
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Our fans often tell us that they see themselves in us. The relationship between the guys in Broken Lizard rings a bell with them, because they have their own little friend groups, with their own complex dynamics, and their own private jokes.
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'48 Hrs.' is very tough and funny.
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Like hitting a baseball, comedy is very much about timing. To some degree, you either 'got it or you don't.'
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If I had to be in the Olympics, I suppose I would do the javelin throw.
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I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.
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Showbiz works well when you give the audience what they want.
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The funny thing about any cop uniform is that people will do what you say when you're wearing a cop uniform.
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A lot of comedy films, there's the opinion, 'Well, if it's funny, put it in.' But I think you have to be more disciplined than that.
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When we had Brian Cox in 'Super Troopers,' we learned that when you put a great actor in the center of our lunacy, it grounds everything.
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If you hang around people from L.A., they're, like, used to having their city being maligned.
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What I do when I act and direct is I do a small version, go a little bigger, do a medium one, an over-the-top one, and then even bigger than that. I'll do six readings of the line. And they're not all the same. Just so I know if I was wrong about what I should have done, I luckily have this more subtle version.
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I myself downloaded and watched 'The Wire,' 'Breaking Bad,' 'Downton Abbey,' 'Mad Men' and 'The Walking Dead' on my iPad while walking on a treadmill. I never turned a TV on once. I never inserted a DVD.
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One of my random skills is I have a very strong memory for dialogue and moments, and I don't know why.
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Whether I'm performing or directing, I'm aways thinking about rhythm; sometimes it's nailing the right rhythm, and sometimes it's intentionally breaking the rhythm. Those two things are what make something funny or not. How long a shot is and where you put the camera are all part of that rhythm of directing.
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I think that Broken Lizard movies typically have to be able to star five guys, so it's like, policemen, spacemen, a basketball team.
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'Spinal Tap' is interesting because it created a genre of film and ended it - all in one motion. If you do a mockumentary, you are always going to be compared with that film, and you are never going to be as funny.
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In 2010, The Princeton Review ranked Colgate the most beautiful campus in America - I agree.
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To me, I grew up in the suburbs of Chicago, and my identity is of a suburban Chicago person. It's not like, 'Oh, I'm Indian.' I'm not. I'm American.
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The thing about people from Chicago and the Northwest suburbs is that they're very cocky. I think that serves us well in the show business world.