Jay Chandrasekhar Quotes
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If you hang around people from L.A., they're, like, used to having their city being maligned.
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Our fans often tell us that they see themselves in us. The relationship between the guys in Broken Lizard rings a bell with them, because they have their own little friend groups, with their own complex dynamics, and their own private jokes.
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What makes Broken Lizard, I think, is our timing.
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One of my random skills is I have a very strong memory for dialogue and moments, and I don't know why.
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That movie - 'Airplane!' - it influenced so many of us.
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I have used the name Jambulingam while editing films such as 'Super Troopers' and 'Puddle Cruiser.' I like the look and sound of it.
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'48 Hrs.' is very tough and funny.
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'Spinal Tap' is interesting because it created a genre of film and ended it - all in one motion. If you do a mockumentary, you are always going to be compared with that film, and you are never going to be as funny.
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Like hitting a baseball, comedy is very much about timing. To some degree, you either 'got it or you don't.'
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When we had Brian Cox in 'Super Troopers,' we learned that when you put a great actor in the center of our lunacy, it grounds everything.
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People always ask us, 'Hey, is there going to be a 'Beerfest 2'?' I don't know if I have another beer joke in me.
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There used to be lots of legitimate independent distributors: Fox Searchlight, Miramax, Lionsgate, Warner Independent, Focus Features, Paramount Vantage, Picturehouse and Fine Line. Most of them have closed.
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Often, when you're in some of these writing rooms for... and the most restrictive is network television, right? They say, 'Wow, that's a great joke, but we can't do that. Okay, let's try the second joke. Oh, you can't do that one. But the third joke you can do,' and hopefully it will be great, but it will remind people of what the joke really was.
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What I do when I act and direct is I do a small version, go a little bigger, do a medium one, an over-the-top one, and then even bigger than that. I'll do six readings of the line. And they're not all the same. Just so I know if I was wrong about what I should have done, I luckily have this more subtle version.
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In 2010, The Princeton Review ranked Colgate the most beautiful campus in America - I agree.
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Showbiz works well when you give the audience what they want.
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We write and write and write until we think, 'If we have to shoot this script, we'll be happy, and it's going to be a great movie.' I meet with all the actors two weeks before, and I ask them, 'What lines don't work? What is uncomfortable for you? What jokes do you think aren't good? If you're not getting it, here's what the joke is.' You fix it.
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I think romantic comedies in general are marketed towards women, and I think men are half the romance, so why not have some that are truly from a male point of view.
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I think that Broken Lizard movies typically have to be able to star five guys, so it's like, policemen, spacemen, a basketball team.
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Making films requires the creative skills you'd expect, but it also demands immense non-creative skills, like the ability to raise all that money and the savviness to work the studio's politics.
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I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.
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If a joke makes our tribe laugh, we assume it will make other friend-tribes laugh.
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I have always enjoyed outlaw films such as 'Smokey and the Bandit.'
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To me, I grew up in the suburbs of Chicago, and my identity is of a suburban Chicago person. It's not like, 'Oh, I'm Indian.' I'm not. I'm American.