Brie Larson (Brianne Sidonie Desaulniers) Quotes
A big producer offered me the part of the pretty girl that waits at home for the guy, and I couldn't do it. That's not a story I ever want to tell.
Quotes to Explore
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It's not possible to be perfect - you can always do something better. I'm never proud of what I've done. Sometimes, I'm not ashamed.
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I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
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I believe that I have been basically anarchistic, anti-religion and anti-industry and business. In other words, anti-bureaucracy. I would like to see people behave well without having to have priests stand by, politicians stand by, or people collecting bills.
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It seems that fighting is a game where everybody is the loser.
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A lot of people go in and have to create their own characters, and they do fine with it.
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Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.
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The numerous evils to which individual persons are exposed are due to the defects existing in the persons themselves. We complain and seek relief from our own faults; we suffer from the evils which we, by our own free will, inflict on ourselves and ascribe them to God, who is far from being connected with them!
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My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.
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I've always watched the political shows.
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It's up to the audience. It always has been.
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I'm an actress, and that's my work and my passion.
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If you've got a plot the size of a car or a tiny yard in Italy, you're going to be growing tomatoes and basil and celery and carrots, and everybody is still connected to the land.
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There are some circumstances in which the First Amendment interest comes up against another interest that is really important and in which we have to make a decision in a particular case as to which is more important.
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When a guy tells me I'm cute, it's not something desirable. Cute is more like what you want your pet to be.
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He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger.
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I also like to garden. I grow things, vegetables, flowers... I particularly like orchids. I raise orchids.
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Today, India is a nuclear weapons state.
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We all have fears, especially when we're younger. I was afraid of clowns.
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I think crime fiction is a great way to talk about social issues, whether 'To Kill A Mockingbird' or 'The Lovely Bones;' violence is a way to open up that information you want to get out to the reader.
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I'm really proud of 'Coming Home.' I wrote that about Eric, and I just feel like it's very relatable for anyone who has to be away from their loved ones, you know, for long periods of time - our military, people who are working. It's pretty special.
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But a girl of seventeen is not always thinking of books, especially in the Oxford summer term.
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When I talk to you I am happy. Because you listen, and my words find a home.
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I had examples from a very young age of gay actors or personalities coming out in late '90s and early 2000s who faced a lot of backlash and didn't have a lot of support and risked ruining their careers.
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A big producer offered me the part of the pretty girl that waits at home for the guy, and I couldn't do it. That's not a story I ever want to tell.
