Brie Larson (Brianne Sidonie Desaulniers) Quotes
A big producer offered me the part of the pretty girl that waits at home for the guy, and I couldn't do it. That's not a story I ever want to tell.
Quotes to Explore
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It's not possible to be perfect - you can always do something better. I'm never proud of what I've done. Sometimes, I'm not ashamed.
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I really believe that when you're playing a character that everything is contained in the script. If I'm pulling from things from my own life, then I think I'm being disingenuous to the character and the story.
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I believe that I have been basically anarchistic, anti-religion and anti-industry and business. In other words, anti-bureaucracy. I would like to see people behave well without having to have priests stand by, politicians stand by, or people collecting bills.
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It seems that fighting is a game where everybody is the loser.
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A lot of people go in and have to create their own characters, and they do fine with it.
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Long Kiss Goodnight has a huge cult following. They could make another version of that movie right now and make a lot of money.
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The numerous evils to which individual persons are exposed are due to the defects existing in the persons themselves. We complain and seek relief from our own faults; we suffer from the evils which we, by our own free will, inflict on ourselves and ascribe them to God, who is far from being connected with them!
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My dad moved to London in his early 20s and didn't really go back. So the irony is I've spent lots and lots of time in Ireland, but not with my dad. I've shot films in Belfast, where he's from. And I've shot in Dun Laoghaire. Which is great. And I've shot in Dublin.
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I've always watched the political shows.
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It's up to the audience. It always has been.
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I'm an actress, and that's my work and my passion.
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If you've got a plot the size of a car or a tiny yard in Italy, you're going to be growing tomatoes and basil and celery and carrots, and everybody is still connected to the land.
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There are some circumstances in which the First Amendment interest comes up against another interest that is really important and in which we have to make a decision in a particular case as to which is more important.
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When a guy tells me I'm cute, it's not something desirable. Cute is more like what you want your pet to be.
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He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger.
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I also like to garden. I grow things, vegetables, flowers... I particularly like orchids. I raise orchids.
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Today, India is a nuclear weapons state.
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We all have fears, especially when we're younger. I was afraid of clowns.
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Some people have facts; these can be proven. Some people have theories; these can be disproven. But people with opinions are mindless and have their minds made up about it.
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My dad was a singer in a band and neither of my parents went to college, and I ended up getting into Harvard and was the first person in my family that went to college and it happened to be Harvard.
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I look forward to working with my colleagues on both sides of the aisle to advance policies that level the playing field for American workers and incentivize investing in jobs here at home.
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I think screenwriting gave me more of an affinity for plot - my first novel, 'Me and Earl and the Dying Girl,' doesn't have a very sophisticated roadmap. But screenwriting required me to learn a higher level of plottiness, and I tried to bring that to 'The Haters.'
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I don't think that my work is very moralistic - at least, I try to avoid that. I grew up with that sermonising tendency, and I don't think visual work operates like that.
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A big producer offered me the part of the pretty girl that waits at home for the guy, and I couldn't do it. That's not a story I ever want to tell.
