Britt Daniel Quotes
I don't like when a song goes from one mood to another unless it's going to be out of sight.
Quotes to Explore
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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'Make You Miss Me' is an important song to me. Having it go No. 1 as the fifth single off of my first record is the cherry on top of a chapter in my life I'll never forget.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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With technology now, you can go in and sing a song, and for $100,000, you will sound flawless.
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There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
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The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
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Within the songwriting community, there are these unwritten rules for the way that a song should be written in country music, and I think that those rules are constantly being broken over the years, and the molds change and the process is evolving.
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I feel like I have some stuff that matches 'Fight Song,' not in necessarily the message exactly but in the emotion and honesty.
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Great music is its own movie, already. And the challenge, as a music fan, is to keep the song as powerful as it wants to be, to not tamper with it and to somehow give it a home.
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Ah jist shrugged, - Well, as one anarchist plumber sais tae the other: smash the cistern.
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It was definitely hard when I first started, and by no means do I consider my live show to be where I want it to be; it will develop step by step for the rest of my life.
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I bring other constituencies - I also have ties to minority communities. And obviously, to the world of world-class research universities. So I can bring some constituencies that I'm used to working with.
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Insofar as the genocide embodied in residential schooling arises as an integral aspect of colonialism, then colonialism must be seen as constituting that source... To be in any way an apologist for colonialism is to be an active proponent of genocide.
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I always saw my role as getting LGBT to support the immigrant rights movement - which they did - and getting Latino organizations to support the women's movement, for reproductive rights. So that's kind of the work that I've always been doing.
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I don't like when a song goes from one mood to another unless it's going to be out of sight.
