Jenny Zhang Quotes
I hadn't ever worked with an 'editor' until I was 26 - although that could be partly chalked up to the MFA vs. NYC thing, where I came up through institutions that encouraged writers to write privately for a long, long time and not sully themselves with concerns about audience or the business side of writing.
Quotes to Explore
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If there's a strange way to do something, I would certainly like to know about it. I feel that I owe that to my public.
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Sotomayor's vainglorious lecture bromide about herself as 'a wise Latina' trumping white men is a vulgar embarrassment - a vestige of the bad old days of male-bashing feminism.
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I think that in Mexico, we must change some practices that were built during the 72 years of predominance in Mexico. Former presidents would just hide away, run away or disappear. And I think it's key in a democracy that presidents face people, see eye to eye to citizens and work to keep on contributing to the - to Mexico.
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In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
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The trade magazine and all was banned in my house. The first time I read a film magazine was when I was 18.
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I write my own songs. I made my own videos. I pick my producers. Nothing goes out without my permission. It's all authentic.
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I'm not religious, I'm not romantic and I live purely by logic. I make every decision by logic and sometimes that leads me to the right and sometimes to the wrong decision.
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I don't understand why there aren't more powerful female directors. I don't have the answers, but I hope that things may start to shift and that studios will employ more women to handle strong and interesting material.
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I do everything in a straightforward manner.
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I train as hard as I can every time I train and I do extra training every day and I've done that since I was a young boy.
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Many are called but few get up.
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Publicity's a cancer. It eats out a man - till there's nothing but a shell left.
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I realized in the early days I just didn't edit at all. But I think you become a little more cagey with your lyrics when you know more people are going to hear them and make assumptions about you as a person. Realizing that, you want to be a little more opaque.
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Writers, not psychiatrists, are the true interpreters of the human mind and heart, and we have been at it for a very long time.
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When I'd go to Israel, I felt like a tourist. My social and professional ties had started to dissolve, and it confused me. I didn't know whether I should stay here in Paris or go back to Israel, or even cut off all my ties with Israel so I could really plant roots here. Or maybe go somewhere else altogether.
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The common thread in all my projects is 'girls being awesome.' Can we make that a genre?
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There are a lot of things that people go through, and maybe they don't know how to get through it, and maybe you do, and if you have some sort of knowledge or power, share with the world.
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I love singing and performing. I'm always singing. Even if I'm at school or in the car, I'm always singing. My mom said ever since I could talk, I was singing.
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Sometimes that Dutch consensus approach doesn't move you forward fast enough.
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I had a great drama teacher, and he sort of made out drama school as this incredibly difficult thing to get into: 6,000 people apply every year, and some of the schools only have 12 places. It's a phenomenally difficult thing to get into. And that excited me - I wanted that challenge.
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What's fantastic is that there's a real growing appreciation for performance-capture technology as a tool for acting.
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'You have been allowing challenges to destroy you instead of you to destroy challenges. When challenges come – my God has the final say, not my ability or knowledge.'
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I've always been afraid to do a solo show. When I go to see the great solo shows of Liz Callaway or Christine Ebersole, they have so many incredible stories to talk about, and their material and lives are so rich. I've always worried that my life was not rich enough.
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I hadn't ever worked with an 'editor' until I was 26 - although that could be partly chalked up to the MFA vs. NYC thing, where I came up through institutions that encouraged writers to write privately for a long, long time and not sully themselves with concerns about audience or the business side of writing.
