Jeremy Corbyn Quotes
I believe in public ownership, but I have never favoured the remote nationalised model of the postwar era.
Quotes to Explore
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Every time a woman leaves the workforce because she can't find or afford childcare, or she can't work out a flexible arrangement with her boss, or she has no paid maternity leave, her family's income falls down a notch. Simultaneously, national productivity numbers decline.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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I've learned that the key is to fight with no pressure.
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I'm very wary of news on television.
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I feel quite safe and isolated in Germany. My wife is very well known there. But I am only looked at when I am holding her hand.
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You ask any person in the U.S. and they know who Mary Lou Retton is.
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If you take anything I say with any seriousness whatsoever, go study Yang style tai chi. It will make you live longer.
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The most important days, more than any Grammy award thing or anything, is the day that you're responsible for snacks after the game.
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I'm a hopeless romantic and I believe that you can find love in many different places and be very conflicted. I've discovered as I've grown up that life is far more complicated than you think it is when you're a kid. It isn't just a straightforward fairytale.
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I love to see a wood full of bluebells. Growing up in the Kent countryside, I have special memories of this brief annual spectacle.
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I have very eclectic tastes.
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I eat leftover caviar by hand, with baked potato, like peasants.
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Revolution is not something fixed in ideology, nor is it something fashioned to a particular decade. It is a perpetual process embedded in the human spirit.
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Jesse McCartney is one of the nicest people around. I hate when I hear bad things about him, because anyone who knows him would agree that he's a good guy and really humble.
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I knew I'd have to go to Paris eventually, and I didn't want to be the provincial kid who just turns up and says, 'I want to act.'
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With every story that TV covers, somebody - some corporation, some shareholders - are making money. That's true whether covering Libya, Iraq, the tsunami in Japan, Osama bin Laden, whatever story there is. That day, the shareholders are making money off it. Every newspaper that's sold, somebody's making a dime.
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In early Islam, it was an absolute tenet that the prophet was not to be worshipped. The prophet was a messenger. And one of the things that's happened in Islam is this cult of the prophet, which to my view is counter to the original tradition.
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I started playing piano age six. I was also singing in the choir, so my mum put me into music school. I went to study there for seven years, but it was not my passion. I quit because I wanted to study marketing. But I can still play piano.
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My parents had two rules: You had to go to college, and you had to pay for it yourself. So we all did.
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wishes for sons by Lucille Clifton i wish them cramps. i wish them a strange town and the last tampon. I wish them no 7-11. i wish them one week early and wearing a white skirt. i wish them one week late. later i wish them hot flashes and clots like you wouldn't believe. let the flashes come when they meet someone special. let the clots come when they want to. let them think they have accepted arrogance in the universe, then bring them to gynecologists not unlike themselves.
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I think from an actor's point of view, you always want something to play that's dramatic or something that feels like it could be very bold in choice. And of course, the boldest possible choice you could play at the end of a character's life is death.
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I read a fan bulletin board once, and somebody said I had a face like a potato, so I never went back on there.
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I'm not obsessively a follower of fashion in the way I used to be. But I still have all those magazines I bought at the time because I bought ones that felt a little timeless, more like books.
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I believe in public ownership, but I have never favoured the remote nationalised model of the postwar era.
