Plato Quotes
... Societies aren t made of sticks and stones, but of men whose individual characters, by turning the scale one way or another, determine the direction of the whole.
Quotes to Explore
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Characters who don't suffer have no interest to me.
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The film industry is mostly about unidimensional characters.
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Some of the biggest movie stars in the world are essentially characters.
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All of my characters are less than perfect.
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There's a lot of bands that get to a certain level, and it just stops. They scrap it. Compare this to, say, The Rolling Stones or The Who, where they just continued on forever and are still playing, or they quit after 20 years.
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Myself and David, we both love art. We have a lot of respect for Damien Hirst and Julian Schnabel, and we've met them both, and they're very interesting characters. I also have a lot of respect for the working women out there. As you know, it's not easy when you're looking after children and you have a career as well.
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For me, it's first about the characters. I look for a character who is intriguing and challenging and different from what I've done before.
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The best characters in books are always the difficult ones, and why would you want to fall in love with someone difficult? The ones I'd fall in love with are the ones I'd definitely keep out of a book.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
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'The Oath' seems like the perfect project for me, coming off the back of a big-scale adventure film like 'Everest.' I want to delve into an intimate, dark and psychological world where the characters are claustrophobic.
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I think I can see more clearly now - about how the pattern of past experiences has shaped who I am and the characters I have played - and I'm grateful for that.
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You know, I have some issues. But I just love to play different characters all the time, and I try not to repeat myself too much.
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As a Southerner, I love obstacles for my characters.
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I'm convinced of this: Good done anywhere is good done everywhere. For a change, start by speaking to people rather than walking by them like they're stones that don't matter. As long as you're breathing, it's never too late to do some good.
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As I said before, stones to me is meant things that hurt people, things that cause pain and thats what this song is about.
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I am much more my own man than I was when I was with the Stones.
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[Success] always starts with the material; it always starts with the truth and honesty of the characters that you read in the screenplay and that's rarely something that can be remedied if it's simply not there by the time you shoot the film. Thank God we had that.
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Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.
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I'm not interested in playing characters who see the world through my prism; I think the journey of understanding any character is to see how they tick and how they differ from you.
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Most people are middle class. Most people do wish their lives were better than they are. And I think by making my main characters ordinary, average guys, it helps readers identify with their problems. It also helps ground the supernatural events that follow in a recognizable reality and perhaps gives some of my wilder scenarios a little verisimilitude.
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In our parts such characters sometimes turn up that, however many years ago you met them, you can never recall them without an inner trembling.
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Every time I come home, and every time before I leave, I invite all my friends and I get hummus from this little shack in Tel Aviv called Baadunas.
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... Societies aren t made of sticks and stones, but of men whose individual characters, by turning the scale one way or another, determine the direction of the whole.
