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The film I did with Bobby De Niro, 'The King of Comedy' - an awful lot came to me out of that movie because De Niro never allowed me any room to be crazy. If I had tried to play it the way I would normally play it and get hysterical, Bobby would punch me.
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We're leaving the House to people who either were born with a silver spoon in their mouth... or couldn't get better jobs in the first place.
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Most performers are used to the highs and the lows. If you can let a low stop you, that would be a sad commentary.
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The people at Columbia Pictures have been great, but I had to tell them, 'Please don't be nice to me. Just pay me.'
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When you are debilitated, and you're very depressed, and you believe there's no hope, you cannot get a better potpourri of down.
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Adrenaline is wonderful. It covers pain. It covers dementia. It covers everything.
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Billy Crystal, Steve Martin do wonderful things.
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I started as a writer. I had the dumb act, but I made my living from writing.
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Every man's dream is to be able to sink into the arms of a woman without also falling into her hands.
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I'm always thinking about future projects and at the same time trying to finish the project you're in the middle off.
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I'm sour at times.
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I say to everybody, love is what wakes you up in the morning, love is what makes you walk, and love is what makes you hope.
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I make sure that I take good care of me.
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People hate me because I am a multifaceted, talented, wealthy, internationally famous genius.
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Being 90 is not simple, but it's interesting, very interesting. Before I was 90, I could walk, I could see well, I could hear terrific, and now, I can't hear or see or walk.
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I am probably the most selfish man you will ever meet in your life. No one gets the satisfaction or the joy that I get out of seeing kids realize there is hope.
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Adrenaline is so strong that none of us understand it.
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I've never been more than 9 years old.
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Turning 90 is not for sissies.
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I don't want to be remembered. I want the nice words when I can hear them.
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You think about getting old, but when you get there, it's not what you thought it would be.
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When you're doing a different kind of film, you have to bring a different kind of attitude; you have to bring a different kind of concentration.
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I dream in color.
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The young man who's had the Guggenheim fortune behind him all his life - he can hire all the authorities on the subject to teach him how to do a monologue, but he's never going to have the right stuff to pull it off. If he doesn't walk out onstage needing to walk out there, he doesn't have a dream of doing well.