Jess Row Quotes
Writers of color are given certain messages - explicit or implicit - about what they're allowed to write about or what will be successful if they write about it. And white writers are given another set of implicit and, sometimes, explicit messages.
Quotes to Explore
-
Don't trust anyone over 30.
-
The achievements of an organization are the results of the combined effort of each individual.
-
My husband had a very strong identity and was successful in his life. Thank God for that. There's no way I can control him. I wouldn't stay married to him if I felt I could. I can readily take my business personality into the home. But he forces me to be a partner rather than the boss.
-
When I first started writing, I used to listen to music all the time because it would make time pass more quickly. And then I started to wonder if the music wasn't affecting my writing in ways that I didn't necessarily intend.
-
I left Beijing in 1987, shortly before my books were banned there, but have returned continually.
-
Seemed like everything I tried to do in broadcasting and as a player before that turned out successfully. I was succeeding. I got to the top of the heap in every facet of broadcasting.
-
The National Flood Insurance Program is a voluntary program. If a community really feels that the building insurance requirements are too burdensome, they don't have to participate.
-
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream; it strengthens my creativity.
-
Nolan has the strangest affect on people. You know, I think there's something very sad and little boy about him, but at the same time the way he goes about everything is so awkward and obnoxious. He can never say the right thing, you know? And I think if he just didn't try so hard and calmed down, people might actually like him a bit more!
-
AIDS is the biggest challenge, the major disaster facing this country and we would have wished for something more specific and far-reaching.
-
You can be on top of everything, and the next minute, you're going to be on the bottom.
-
Every single unfortunate thing that happens, including, for instance, the murder of my parents, I am responsible for. I am responsible for being the son of two people who got murdered. I didn't cause their murder. But if I'm suffering because of it, it's my karma that I have manifested in this lifetime in this particular set of circumstances.
-
The only thing I can cook is Welsh rarebit.
-
I am one who believes that the market, properly incentivized, can consistently outperform government regulation on achieving objectives.
-
Life has taught me to be very cautious of a man with a dream, especially a man who has teetered on the edge of life. It gives a fire and recklessness inside that is hard to quantify.
-
Cape Town is a weird town. There's a mountain, and the sea, and a little city tucked into the side of the mountain.
-
It is greater than the stars - that moving procession of human energy; greater than the palpitating earth and the things growing thereon.
-
I’m not only uninterested in having children. I am opposed to having children. Having a purebred human baby is like having a purebred dog; it is nothing but vanity, human vanity.
-
The FCC sided with the public and adopted extremely strong net neutrality rules that should be a global model for Internet freedom.
-
Do not be angry with me if I tell you the truth.
-
No religion makes more use of color than Hinduism, with its blue-skinned gods and peony-lipped goddesses, and even the spring festival of Holi is focused on color: Boys squirt arcs of dyed water on passersby or dump powder, all violently hued, on their marks.
-
The feedback for 'P.S. I Still Love You' has been pretty amazing. To have written this story about this family with Asian-American characters and be so embraced is really incredible for me as a writer as well as a person of color.
-
As an actor, being on autopilot is the worst thing possible.
-
Writers of color are given certain messages - explicit or implicit - about what they're allowed to write about or what will be successful if they write about it. And white writers are given another set of implicit and, sometimes, explicit messages.
