Jessica Jackley Quotes
It's a powerful thing to know that you are empowering someone to lift themselves out of poverty.
Quotes to Explore
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We must all obey the great law of change. It is the most powerful law of nature.
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Oh while I live, to be the ruler of life, not a slave, to meet life as a powerful conqueror, and nothing exterior to me will ever take command of me.
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Self-esteem is a powerful force within each of us... Self-esteem is the experience that we are appropriate to life and to the requirements of life.
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I think as women, the smarter and more powerful we are, the more it can be threatening and alienating to other people, more than with men. That's something we need to support each other with.
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Helping people boost themselves out of poverty is the best way to make a lasting positive difference in a person's life.
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Black people must address itself to the causes of poverty. That's oppression in this country.
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The things that drive me are poverty, and pain, and knowing that I don't want to end up being alone and I want to do something with my life and I want the name Dobson to remain in everyone's heads. Basically, just to rock and be the best performer I can be, and be true, and be real, and give people the real Fefe, nothing fake, all real.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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Shoes are very emotional. For women, they carry the message that you want to give to the world. One day you want to be sexy, or super powerful at your job - you wear a great pump. If you want to be on-the-go and running after your kids - you wear a great flat.
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Leading by example is the most powerful advice you can give to anybody.
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The nineteenth century, especially the second half of it, was a time of restatement in Ireland. After the famine, after the failed rebellions of the Forties and Sixties, the cultural and political desires for self-determination began to shape each other in a series of riffs on independence and identity.
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'Tryin' to Get the Feeling' has been a revelation. I'd forgotten how powerful that was. I'd forgotten how deep I can crawl into that one, and maybe because I'm older it means even more.
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Sometimes the right response to evil is an appeal to powerful and effective social organization - an appeal to civilization itself.
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For as long as our people are held hostage by controllable socio-economic forces, we cannot afford to be indifferent to the ravages of poverty in all its dimensions and ramifications.
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The exercise of power is determined by thousands of interactions between the world of the powerful and that of the powerless, all the more so because these worlds are never divided by a sharp line: everyone has a small part of himself in both.
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This is a very important relationship we have with Russia, the relationship over the nuclear arsenal that they have obviously is important. They're a very powerful country.
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You see, the poverty program for the last five years have been buy-off programs.
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I see that already in this present world I am exalted above measure by the Lord. And I was not worthy nor such a one as that he should grant this to me, since I know most surely that poverty and affliction become me better than delights and riches.
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People see me in powerful roles. That's what people want to see. That's what I want to do.
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I didn't want to do comedy again. It is way harder when you are doing comedy. You can't just concentrate on the character and the plot. In comedy, the writers, instead of obsessing about character and plot, obsess about the jokes.
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'The Odyssey' is the great tale, and I was really taken by 'The Iliad,' so I dig into those things, and when I was a kid I didn't. You've gotta have a certain level of understanding yourself before that stuff really starts to resonate.
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History is information. Memory is part of your identity.
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I had been drawing my weekly comic strip, 'Life in Hell,' for about five years when I got a call from Jim Brooks, who was developing 'The Tracey Ullman Show' for the brand-new Fox network. He wanted me to come in and pitch an idea for doing little cartoons on that show.
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It's a powerful thing to know that you are empowering someone to lift themselves out of poverty.
