Jill Davis Quotes
I had been writing for the 'Late Show' for about four years when I started writing short stories. I had a blast writing the stories because I was writing in a voice more my own, as opposed to a man's. HBO ended up buying four of them. I think that had a direct impact on my decision to write a book.
Quotes to Explore
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If people want to really know what's up with me then they can read one of my interviews.
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I think what I do in my acting world and what I do in my standup world is bring up a brand that I want to bring across. Once you figure out your brand and what you do, it's kind of easy at that. You end up getting your audience.
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At school, I'd refuse to take part in biology lessons when animals were being dissected. One time, the teacher announced that we would be gassing worms. So I ran around the room, gathered up all the worms and set them free in the fields. I just loved animals and couldn't bear the thought of them suffering.
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I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all.
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I never really fit in growing up. I got made fun of a lot of the time in high school. People never liked me, and I was always the new kid.
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When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
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Sometimes the kids come up with better endings than the real story.
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Try imagining James Joyce not writing about being a Catholic.
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If I were trying to impress a girl, I wouldn't get all super dressed because I would look like I was trying too hard. Instead, I would probably wear what I normally would.
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Thank God we're not like America. Everyone wants to look like they're 20. In Europe we admire grown-up women; I think men revere older women.
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My roots are in stand-up, and stand-up is very freeing. There's no script involved; you just fly.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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We hunger to understand, so we invent myths about how we imagine the world is constructed - and they're, of course, based upon what we know, which is ourselves and other animals. So we make up stories about how the world was hatched from a cosmic egg or created after the mating of cosmic deities or by some fiat of a powerful being.
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It's such a small industry here you inevitably end up working with the same people over and over again. There are only so many actors to go around, which is good for us.
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There are two smells that I can recognize right away. The smell of the boxing ring and the smell of a garage. That's where I grew up. I can recognize these places with my eyes closed.
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When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing.
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If you don't have the money management skills yet, using a debit card will ensure you don't overspend and rack up debt on a credit card.
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Never let up. The more you can win by, the more doubts you put in the other players' minds the next time out.
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My ex-wives had one thing in common. When they left, they all backed up a truck.
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I have got the best of both worlds; growing up in Edinburgh and now living outside Glasgow.
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If I didn't get a job, between 16 and 18, that wasn't significant, I was just going to go to college. I didn't want to be a struggling actor at 36 with five kids, doing something I hated. You see the story so much. It's such a vicious business to be in when you're not meant to be in it.
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When adversity strikes, that's when you have to be the most calm. Take a step back, stay strong, stay grounded and press on.
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In a romance novel, the core story is the developing relationship between a man and a woman. The other events in the story line, though important, are secondary to that relationship.
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I had been writing for the 'Late Show' for about four years when I started writing short stories. I had a blast writing the stories because I was writing in a voice more my own, as opposed to a man's. HBO ended up buying four of them. I think that had a direct impact on my decision to write a book.
