Jim Harrison Quotes
I do mourn my characters. I wrote an essay once where I was sure that far back in a marsh there was a hummock - a little hill of hardwoods - and an old farm house, where all the heroines in my novels lived together with all my beloved dead dogs. I've discussed this with my therapist, naturally. He says it's okay in fair amounts.
Quotes to Explore
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No Americans wants to see somebody lose their house because of health bills. Their boat? Maybe. Maybe the boat. But not the house.
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We as the Afghan people and government are willing to help Pakistan work for peace in Afghanistan and work for peace in Pakistan, together.
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As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother's house. All children, I suppose, come into the world like that, not knowing who they are.
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We need more children raised in the optimum situation, which is between a mom and a dad bonded together for life.
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The angel of mercy, the child of love, together had flown to the realms above.
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Downstairs in my house, I have a museum room. I keep all of my awards down there, and childhood photos, and even all the clothes I've worn on tour, in videos and on album covers.
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I did a play called 'On Golden Pond' in a dinner theater in Maine and then went to New York for a talent competition having put together a three-man juggling routine and some one-liners and I got myself an agent from that.
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What we call real estate - the solid ground to build a house on - is the broad foundation on which nearly all the guilt of this world rests.
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I work on words quite separately to music. They're both ongoing, and I don't ever feel like I'm working in a cycle in that respect, because it's every day anyway, no matter what I'm doing. Then I get to a point when I've collected together enough words that seem like they want to be songs rather than poems, or sometimes not.
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When you're the youngest and the only boy, you get spoilt but you get told you're spoilt so you don't get to enjoy it very much. I was the only man in the house because my parents divorced and my dad moved away when I was 13.
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Listening to music is such an uplifting, spiritual thing. It's far-fetched to some - I understand that. But the way dance music brings people together, it's not a big stretch from hymns.
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I grew up watching my mom and dad selling rooms in our motels. We had CEOs coming to our house so that my dad could persuade them to have their executives stay in Hyatt hotels.
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I've read stories that are set in a celebrity's house, and you know where it is and what it looks like and what's inside it, and that's not something I want anyone to know.
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I loved living and breathing theatre so much that I decided I had to find a way to bring my desire to act and my ability to support myself together. I'd run through the possibilities in Washington, so that meant moving to New York.
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I think a generation ago, dads went to work, they came home, and they had their dinner, had a drink, and then went to bed. I don't know what it was like in your house, but that is how it was in mine. I think it is cool to have the dads in the trenches and doing the real parenting work.
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It seems that the creative faculty and the critical faculty cannot exist together in their highest perfection.
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I had a blast on tour with Little Big Town. We got to play some beautiful rooms around the country - some really amazing old theaters. And it was just cool to see a band that's been together for so long.
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There's always a wine bully. The one person who did read the 'Wine Spectator,' who tells you what to drink and why the '97 is better than the '98. I want to punch the wine bully in the face. I want to make sure this generation of wine drinkers isn't elitist and snotty. I want it to be about family and bringing people together.
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Finn doesn't have as much respect for Han's legacy as everybody else does, and Han finds that a bit charming. They team up and go on a mission together. The banter is very choppy, and the dialogue is pretty funny. Chewie enjoys the banter and the friction between the two, but they definitely have each other's backs.
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When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
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We do not see rightly until we learn to eliminate what we expect or wish to see from what we really see.
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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To write it, it took three months; to conceive it three minutes; to collect the data in it all my life.
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I do mourn my characters. I wrote an essay once where I was sure that far back in a marsh there was a hummock - a little hill of hardwoods - and an old farm house, where all the heroines in my novels lived together with all my beloved dead dogs. I've discussed this with my therapist, naturally. He says it's okay in fair amounts.
