Max Irons Quotes
I like to think that at the end of a show, you can just take your costume off and go to the pub.
Quotes to Explore
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The gap in education in this country, the unfairness of the schools, is one of the great unfairness in this society.
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I do think, even though you are a public figure, I do think you should be entitled to your privacy, and I do think that there are things that go on in relationships and behind closed doors that are completely private.
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The beauty of life is in people who feel some obligation to enhance life. Without that, we're only half alive.
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By faithfulness we are collected and wound up into unity within ourselves, whereas we had been scattered abroad in multiplicity.
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When somebody wants me to sign an old picture, it's like looking at another person.
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I don't like people who get into fights about football - or anything else.
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Starring in a science-fiction film doesn't mean you have to act science fiction.
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I liked Sartre's views but not his writing.
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On TV, if you fluff your lines, nobody gives a toss. But if you fluff a penalty in the World Cup, well - we all know how much that matters.
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Man's greatest concern is to know how he shall properly fill his place in the universe and correctly understand what he must be in order to be a man.
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It is absurd to have a hard and fast rule about what one should read and what one shouldn't. More than half of modern culture depends on what one shouldn't read.
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Statesmen remember things selectively.
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So nice to be a fashion icon in my day.
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What the cinema can do better than literature or the spoken drama is to be fantastic.
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And I got so drunk, I got so drunk that I actually woke up thinking, 'Should I get up and pee, or just pee in the bed?' Actually weighing the pros and the cons. 'Well, it'll be warm for a minute...it's a big bed, I'll just roll over...I'll just blame it on that guy!'
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No, I never had any dreams. The process of art is a dream in itself. The artist just doesn't... you work out something. It's yours. You don't have to go to sleep to do that. You do that on the canvas.
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I believe chemistry is based on the trust between two performers. What actually works is something intangible - being extremely comfortable in each other's presence.
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Everything you write as an artist is about your legacy and your catalog and how you would look in a museum.
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I style my roles mostly with some help from my team of stylists.
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I just looked like there was only one thing I could do: be in a band. It looked like I was already successful, basically. Which is what I wanted to do when I was 16. I just felt like if you did that, aesthetically you would just draw people who were doing the same thing.
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I'm a shopper but not a big money/label-y shopper. It makes me a nervous wreck.
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The advancement of all sciences, especially where there has been such a radical change, have been attended with persecution.
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I'm a musicologist, and I know that this is very rare. As a matter of fact, it's unique in the history of jazz, this group that I'm performing with, this trio. No other trio does these kind of things. I mean, it's an experience you will only hear with this group. It's a one-time experience in life, if you don't come back and hear us again, which would be different anyway.
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I like to think that at the end of a show, you can just take your costume off and go to the pub.
