Joe Moore Quotes
Quotes to Explore
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I personally love the record-making more than the actually performing and travelling. It's funny, the drastic shift in lifestyle that comes with it. It certainly satisfies my more adventurous side, but it leaves little time for contemplation and all of that.
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Big Business can make laws as easily as it can break them - and with as little impunity.
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I had this little Bon Iver phase a few years back; 'Flume' was one of my favourite songs.
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Understand that the time in the audition is your time. Really own it and take control of it. And do what you prepared. Focus on really executing what it is that you intended to do.
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At any Maroon 5 concert, you'll see a room backstage marked 'yoga.'
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I hate all the terrorists in the world, whatever the purpose of their struggle. However, I support every active civil revolt against any occupation, and Israel, too, is among the despicable occupiers. Such revolt is both more just and more effective, and it does not extinguish one's spark of humanity.
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Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.
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When I was living in New York, I had this slightly wannabe bohemian existence and took up painting, at which I'm appalling. I also bought several guitars.
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I always wanted to be a leading man!
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I think that I've had a very strange life.
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I originally wanted to be an astronaut when I was a kid. Then I had this huge fear of black holes because my brother learned a bunch of stuff about it, and he's like, 'Oh, yeah, if you go into one you're never coming back.'
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Twenty years of votes can tell you much more about a man than twenty weeks of campaign rhetoric. Campaign talk tells people who you want them to think you are. How you vote tells people who you really are deep inside.
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I stop working at about 3 p.m. on Fridays.
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Money and good life had never been my goal.
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It was a big-time change, coming off the bench.
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The reaction to 'Aftermath' has been far worse than to 'A Life's Work,' yet I find I'm perhaps a little less touched by it. In both cases, I've coped artistically by believing the criticisms weren't right. They upset me, but they didn't challenge my understanding of how to write, nor of how morality functions in literature.
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One of the best movies of the year was 'Rise of the Planet of the Apes.' That's not just an action movie - it's a prison film.
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Fear, anxiety and neurosis: that's just in the suitcase when you're an actor.
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I don't want to have to look good all the time - that's not realistic.
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I'm at my best when I'm talking about relationships, talking about women, talking about situations and stories.
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The bad, angry, upset, wounded people are more interesting, so they're in the news more, but I don't think they're in the majority. I have faith that things will change - I mean, just like everybody else, I don't fix my roof until it's actually leaking, but eventually, we all get round to doing it.
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Body-shaming is something I feel really strongly about. I think about my niece, I think about my friends who have daughters being on the Internet and reading these things, and it just makes me furious. It makes me so angry.
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You feel like people are looking at you like, 'I wanted the old Kathleen. Where's the old Kathleen?' I felt that way in the beginning of Le Tigre. I felt people were like, 'You're not angry enough anymore.' People still ask me that. 'Are you still angry?' I'm like, 'About what? About that question? Yes.'
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It's practically impossible to look at a penguin and feel angry.
