Joel Coen Quotes
We don't have any rules about how we depict violence, or how much violence is in a movie. It's a calibration on a case-by-case basis.
Quotes to Explore
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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'Glee' is one of the very few mainstream outlets that is giving a voice to communities of people that don't necessarily have a loud voice, specifically the gay community. It gives a really positive and forward statement.
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The thing that I took away as an early fan from Bob Dylan was the storytelling aspects. He can tell some wicked stories.
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I'm not trying to do anything too tricky.
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You have family-owned businesses that have been around for 500 years. You cannot name a corporation that survives intact for even a few decades.
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I don't try to just be a blues singer – I try to be an entertainer. That has kept me going.
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I quit college. I was studying architecture for about a year.
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There is nothing so unthinkable as thought, unless it be the entire absence of thought.
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Writing wasn't about making money. I wanted to find fulfillment in writing and telling stories, and that's what's driven me.
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It's very important to me to love what I do. It was important to me to find a career that I truly enjoy. You can find something that sort of excites you, that's half the battle of life.
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I disagree with a lot of those changes, however at the end of the day - I go down to recruit graduation at least once or twice a year.
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I had five children in six years. The day I brought my fifth baby home, that week, my daughter turned 6.
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My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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Dancing doesn't have a language.
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Even in real life, I'd rather hang out with guys.
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My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other people.
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I wonder sometimes why the U.S. reviewers are more negative towards turn-based battle systems.
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Fame and money and all that - you hear people say it a lot, but they don't mean a thing to me.
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I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that.
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It's a big part of what we do - we test our movies extensively. I'm always there myself. It's sometimes difficult to sit through, especially if it's a version of the movie that's not working particularly well.
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The only solution to the violence problem in America is a return to traditional parental involvement. This should be encouraged by every elected official. Also, the abandonment and neglect of children by their parents should have civil consequences.
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We don't have any rules about how we depict violence, or how much violence is in a movie. It's a calibration on a case-by-case basis.
