Geena Davis Quotes
The big takeaway I got from 'Thelma & Louise' was the reaction of women who had seen the movie being so profound, so different. It was overwhelming, and it made me realise how few opportunities we give women to feel excited and empowered by female characters, to come out of a movie pumped.
Quotes to Explore
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My generation of bossy, confident, baby-boom women were something brand new in history. Our energy and assertiveness weren't created by Betty Friedan, unknown before her 1963 book, or by Gloria Steinem, whose political activism, as even the Lifetime profile admitted, did not begin until 1969.
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I've basically worked as a journalist and a writer.
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It can be frustrating when you're put in a category with others. Women do get lumped together in this reductive grouping, and you think, 'Gosh, that rarely happens with the boys.' I'm sure people don't say to Eddie Redmayne, 'How do you feel about Andrew Garfield?'
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'The Pianist' is a movie I could watch over and over again.
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There have been 111 Justices in the Supreme Court of the United States. Only three have been women. If she is confirmed, Solicitor General Kagan will bring the Supreme Court to an historical high-water mark, with three women concurrently serving as Justices.
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Women can really be who they are. I'm about to say the F word, feminist. Often that word has such a negative connotation.
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My favorite thing about being an actor is that I get to be so many different people in one lifetime. You sort of get to be all of these different characters.
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Sometimes women who are taller aren't comfortable with it, but I love being tall.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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Shoes are very emotional. For women, they carry the message that you want to give to the world. One day you want to be sexy, or super powerful at your job - you wear a great pump. If you want to be on-the-go and running after your kids - you wear a great flat.
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I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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I'm a student of comedy in general, so I've always loved Billy Crystal. But I'm a different type of showman. I'm a clown and a jester.
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I have so much fun because I love to meet the women who wear my shoes and meet the clients. That, to me, is the best part - getting to know the faces of the people who actually wear my shoes and getting to have a conversation with them.
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I love the idea of making a movie for kids but it's got to be that, with my take on it.
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I see when men love women. They give them but a little of their lives. But women when they love give everything.
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So when you start touring, women are definitely going to check you out first.
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I do believe that there are creative chakras or different sorts of energy centers.
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Half the spiritual difficulties that men and women suffer arise from a morbid state of health.
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Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags.
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The fact that my father set out on his own to build Hyatt - a business the family was not in and a business he was learning about as he was building it - is instructive.
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I have said that control of arms is a mission that we undertake particularly for our children and our grandchildren and that they have no lobby in Washington.
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My sophomore year at high school, I spent $300 I had earned working at After School Matters for my first studio session. For a 16-year-old to sacrifice that much money was pivotal. It spoke a lot about how serious I was.
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The big takeaway I got from 'Thelma & Louise' was the reaction of women who had seen the movie being so profound, so different. It was overwhelming, and it made me realise how few opportunities we give women to feel excited and empowered by female characters, to come out of a movie pumped.
