Peter Hammill Quotes
Seriously, these days I tend to shut up in terms of external analysis and DO try to let things speak for themselves, while still trying to get some depth into them.
Quotes to Explore
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The return to normality is a defeat for the terrorists.
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I think where we're still a little bit behind some other countries is just our pure soccer knowledge and our savvy on the field. That takes time and generations that have watched soccer growing up, played the game growing up.
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The way through the world is more difficult to find than the way beyond it.
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You're creating new things in movies and people are going to steal them.
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In this era in which we live, the old-fashioned virtues grow increasingly unpopular.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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The last paragraph, in which you tell what the story is about, is almost always best left out.
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I'm not super into sports.
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In the '70s I was in exile; every time I went back I wondered if they'd take my passport away.
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I really detest movies like 'Indecent Proposal' and 'Pretty Woman' because they send a message to women that sleeping with a rich man is the ultimate goal and really that's such a small part of it.
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I always love being in the company of women. It's all about good conversation and great wine.
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Too often, campaigns are all flash and no substance.
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The bigger we get, I think the more it's changing things, which is great, but we didn't set out to do that. We just wanted to be as big as we possibly could be.
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Being a showrunner meant writing and producing a television show, period, but with 'Lost,' suddenly it became part of the job to promote and be the face of the brand. In a weird way, the story was as much the star as any of the actors, so people wanted to hear from us.
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When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.
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I had the good fortune to be able to take a course with Margaret Mead. I had a fabulous art course, where it was explained to me that nothing exists in a vacuum, that everything is a result of the period in which it's done - the economics, the sociology, the politics, all sewn together. That was a very important lesson.
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Sometimes when we label something dystopian fiction, I feel like we're trying very hard not to use the words 'science fiction,' because science fiction has those horrible connotations of rocket ships and bodacious babes.
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The point of jazz is, you do something and then you go on.
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I enjoy playing characters where the silence is loud.
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I grew up in war-torn Iraq, and I believe that there are two sides of wars and we've only seen one side of it. We only talk about one side of it. But there's another side that I have witnessed as someone who lived in it and someone who ended up working in it.
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Growing up, me and my brother, we were kind of exact opposites. We were completely yin and yang. He was more rough and tumble, and I just wanted to play with my girlfriends.
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I grew up performing in theatre.
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Technology moves so quickly; you can't get comfortable with the business you have today because technology will progress.
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Seriously, these days I tend to shut up in terms of external analysis and DO try to let things speak for themselves, while still trying to get some depth into them.
