Peter Jurasik Quotes
I'm very cautious about talking about how actors got where they got, as though there is in fact a plan or a way. There is no plan, there is no way, there's no sure set, there's no handbook, on how to get to be an actor.
Quotes to Explore
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I'll sleep when I'm dead.
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It seems that fighting is a game where everybody is the loser.
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I just can't feel lukewarm about a character. I either despise her, admire her, or don't understand her and want to understand her.
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You need a big ego to be an artist.
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I like boxes because of the secrets they hide.
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I'd like to say that I'm a rock star, but I'm not - I'm honestly more of a relationship kind of guy. I'm a guy you could take home to meet your mum rather than a guy your mum wouldn't like.
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Solitude would be ideal if you could pick the people to avoid.
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I was frequently told at drama school that I was thinking too much. And I still have to suppress that part of me because it can sometimes be a hindrance.
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When you're taking chances, you know it's not going to please everybody.
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Getting in and out of a character takes its own time for me.
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You can't get rid of poverty by giving people money.
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For me, songwriting is something like breathing: I just do it. But that doesn't mean you're fantastic.
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'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman.
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'Clash Of The Titans' is one of the biggest movies I've done; it was certainly the most effects I've worked with.
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Some makeup you put on and feel like you're getting pimples by the hour.
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That space between the white lines, that's my office. That's where I conduct my business.
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Television is so dictated by time constraints that you have to make quick decisions and go with them.
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If religion were true, its followers would not try to bludgeon their young into an artificial conformity; but would merely insist on their unbending quest for truth, irrespective of artificial backgrounds or practical consequences.
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You see the same profile of difficulty among the educated Bostonian adults, and the going-to-school Bostonian kids, and the adults and children in the Amazon. The problems that were hard for them were hard for us.
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There's room for saying things in bright shiny colours.
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I'm very cautious about talking about how actors got where they got, as though there is in fact a plan or a way. There is no plan, there is no way, there's no sure set, there's no handbook, on how to get to be an actor.
