Genzebe Dibaba Quotes
Quotes to Explore
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I needed to really pursue music and learn what I needed to learn on my own by getting in and doing it, not by reading a book about it.
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I love being a part of country music. I love going out and... doing things for the first time for country music. I always enjoy that.
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When a pointed question is beaten back with an attack or threat of, 'How dare you...' it's a reliable signal that deception is involved. Trump is a master at this.
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When you are honest and open with young people, they let you in.
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Dissent is the native activity of the scientist, and it has got him into a good deal of trouble in the last years. But if that is cut off, what is left will not be a scientist. And I doubt whether it will be a man.
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People are making judgements about Russian people based on me. This is why I never allow myself any aggression towards my opponent.
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We live in an inter-dependent world. An isolated India is not in our interest.
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Vain hopes are like certain dreams of those who wake.
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I think we all carry the seeds of our own destruction. You really have to be aware that just because something is good, it doesn't mean it's not going to trigger a self-destructive impulse.
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Writing is a very intimate thing, especially when you write lyrics and sing them in front of someone for the first time. It's like a really embarrassing situation. To me, singing is almost like crying, and you have to really know someone before you can start crying in front of them.
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Working with Sturges was like working with a guy who wanted to have a party all the time. He was very serious about his work, but in between shots, he was fun and we would play games.
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One of the reasons I love writing for middle graders, besides their voracious appetite for books, is their deep concern for fairness and morality.
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Thirty years ago dinner theatre used to be much more of a going concern than it is now.
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The power of the ballot we need in sheer defense, else what shall save us from a second slavery?
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We are quite at ease in this no man's land of ignorance and doubt and dispute, absorbed in the ambiguities of trying to reach truth by mixing fact with invention.
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Custom adapts itself to expediency.
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Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a life-changing event for me: there were gay people, on the stage, and they all lived in New York.
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It's great extremes which leads to great drama and great comedy.
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It is the invariable lesson to humanity that distance in time, and in space as well, lends focus. It is not recorded, incidentally, that the lesson has ever been permanently learned.
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My name is not Strangelove. I don't know about Strangelove. I'm not interested in Strangelove. What else can I say?... Look. Say it three times more, and I throw you out of this office.
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When I started acting, doing theater stuff at a young age, I was always the comic relief-type roles, so I knew I had a funny bone and could make groups of people laugh, but I didn't really take it seriously until I started getting paid on a weekly basis; then I was like, 'Oh, well, this could be a lifestyle.'
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I found it peculiar that those who wanted to take military action could - with 100 per cent certainty - know that the weapons existed and turn out to have zero knowledge of where they were.
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We are here to repair the world. I grew up thinking that was what everybody was trying to do.
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An athlete may not know what they're putting in their body.
