Geoff Dyer Quotes
Practically everyone I know now is from a middle- or upper-middle-class background, and I no longer have the huge chip on my shoulder that I carried around for so many years. I'm not sure it comes out much in the work, but coming from this kind of background is absolutely central to my identity, to my sense of who I am.
Quotes to Explore
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I've read quite a few readers' reviews of my book on Amazon, saying, 'Ah, he criticises the free market, he advocates central planning.' I don't do that for a minute! But this is our black and white, dichotomous way of thinking - which has really been harmful.
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Gym Class is a band I am more directly involved with than any other band except for Fall Out Boy.
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My dad has totally taken my Cat Stevens T-shirt, but it's OK; I have his Black Flag one, and that's amazing.
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Once you are a model, you do have to fly a million red-eye flights, and you do have to entertain a different client every single day.
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I always knew I would make the record that I made in 'Carter Girl.'
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You get to a point where it's like you can't really do anything right, and people will pick on you for whatever decisions you make, so I just try and take no notice and get on with my music.
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Humor's always been the problem of my work, hasn't it? When working, I feel satisfied when I surprise myself. And when I surprise myself, I wind up laughing.
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I went swimming the other day and my wife was watching and she said, 'You know, it's funny, it's when you've got no clothes on, no one recognizes you.' I said, 'What are you saying? That I should do more love scenes?'
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When I listen to President Obama speak to and about women, he sometimes sounds too paternalistic for my taste.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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When virtue is lost, benevolence appears, when benevolence is lost right conduct appears, when right conduct is lost, expedience appears. Expediency is the mere shadow of right and truth; it is the beginning of disorder.
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I had been playing for about a year and a half when the Beach Boys formed. When our folks went to Mexico on business, we would take the food money they had left us and we would rent instruments.
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We believed that to understand literature, you had to understand its place in history and culture.
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With the rights now in our loving hands, I'm beyond excited to bring 'The Green Hornet' into the 21st century in a meaningful and relevant way: modernizing it and making it accessible to a whole new generation. My intention is to bring a gravitas to 'The Green Hornet' that wipes away the camp and kitsch of the previous iteration.
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National partition is a sorrow that touches all Koreans, but for me it is brought to the fore by unimaginable personal suffering.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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My normal life is like being on holiday.
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I don't campaign for the end of the aristocracy or the upper classes; I don't really want to destroy anything at all. I just want more plurality.
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I would like to make a building as intellectually driven as it is sculptural and as positive as it would be acceptable to hope.
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If they're in cell block 1A or 1B, these prisoners - they're murderers, they're terrorists, they're insurgents. Many of them probably have American blood on their hands. And here we're so concerned about the treatment of those individuals.
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It is impossible to think of a man of any actual force and originality, universally recognized as having those qualities, who spent his whole life appraising and describing the work of other men.
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Training is a universal right. It's not just targeted at those with the worst skill levels.
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Practically everyone I know now is from a middle- or upper-middle-class background, and I no longer have the huge chip on my shoulder that I carried around for so many years. I'm not sure it comes out much in the work, but coming from this kind of background is absolutely central to my identity, to my sense of who I am.
