Peter Marshall Quotes
I know that no business contract, no order or commercial consideration can ever be worth the happiness of one's home or the peace of one's mind.
Quotes to Explore
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I was thinking of going to London drama schools or to New York, because France didn't accommodate the things I wanted to do in film.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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Memorial services are the cocktail parties of the geriatric set.
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The French are pretty thin-skinned. The few times I mentioned a French writer in 'City Boy,' the relatives would ring up in high dudgeon. I once wrote a mocking review of Marguerite Duras in the 'New York Review of Books,' and good friends of mine in France got very angry.
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For me, family has always come first.
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I was riding my mountain bike in Colorado, and I met a dog who reminded me so much of my very first dog, in the way she interacted with me, looked at me, and wagged her tail, that I rode away convinced I'd just very possibly met the reincarnated version of my long lost friend.
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Excellence is not a skill, it's an attitude.
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I don't think I'm really open to having Washington change me.
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Just look at what is right in front of you. People don't do that. They see what they expect to see, what they want to see, what conventional wisdom tells them to see. They only hear the music and not the lyrics of human events.
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I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.
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I hate being asked how I met my husband and very personal questions like that. I don't like that. People are too nosey. Intelligent questions I like, but sometimes people ask such silly, dopey ones.
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As a child, I was hyper, I was a clown and I was sensitive. Today I'm all of the above, except I've refrained from bouncing off the walls.
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Capitalism has forced everyone to overoptimize in order to compete.
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Part of the reason I sort of shot out like a cannon out of Michigan and left home at such an early age is because I had to feel independent.
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With the mega – fame came the mega – downfall – you know, with the press and everything – and at a young age, it was very stressful to me.
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The easiest way around the bases is with one swing of the bat.
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Years ago, I carved out an identity, and it has always been about having a voice to tell people about stuff I love.
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And if you take the cameras out of the courtroom, then you hide, I think, a certain measure of truth from the public, and I think that's very important for the American public to know.
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I don't want my work to be heavy. The challenge is to make it interesting and engaging, keeping in mind the need for method acting. This is what I have learnt from Bharat Muni's 'Natya Shastra' and from the Russian theatre legend Stanislavsky.
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Part of the reason that I left the Pumpkins is because it was becoming all-consuming. Being the only member of that band who had two kids and a wife, it was a hard decision, but ultimately it was a decision I'm comfortable with.
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Wherever you are in the world, whoever you are with, sometimes you feel desperately lonely.
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Pittsburgh is a very hard city, especially if you're black.
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Sometimes, I'll be flipping the channel at home and think, 'Wow, there's a lot of me on TV.'
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I know that no business contract, no order or commercial consideration can ever be worth the happiness of one's home or the peace of one's mind.
