Katharine Cornell Quotes
Quotes to Explore
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I went to college in Pittsburgh at Carnegie Mellon University... studied acting there. Then I went to New York for about five years. I moved out here about 10 years ago.
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I didn't know I wanted to act until it was around 21. I had just come back to Los Angeles after two and half years of traveling and working as a dancer and singer and was looking for a new performing art to study. I started taking acting classes and fell in love.
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I had an agent in Salt Lake City, but acting was more like a hobby.
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I'm more interested in producing than acting.
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When I started acting, there were parts in English that I thought I just had to try it out and go to another country. I did a film in Ireland. It was my first film abroad.
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I can't take much pride in my childhood acting. It feels like it happened in another lifetime, and even then, it felt like a hobby.
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There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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I didn't get here for my acting... but I love show business.
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When you're acting, it should be the most important thing that's going on. But when you're not, leave it alone.
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I always tell young actors to have a back-up. You don't want to find yourself at the age of 30 still struggling to make a living out of acting.
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I went to UCLA as pre-med. When I was there my freshman year, I auditioned for a play and got it, and I was so passionate. I just loved acting so much that I decided to switch majors and pursue acting.
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Acting isn't a singular profession, it is a collaborate profession.
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I was going to try to get into the creative writing program at Berkeley; it's just that the acting thing worked out.
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I took acting five times as seriously as anyone else. I just couldn't show it.
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Acting is about going into the space, and there are just some places that I'm not willing to go.
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Oh my goodness me, Daniel Day-Lewis – huge, huge fan of his. I've always loved his philosophy on acting: he always talks about returning to a state of play.
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Acting provides the fulfillment of never being fulfilled. You're never as good as you'd like to be. So there's always something to hope for.
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That's why there's so much bad acting out there, because you could see actors watching themselves.
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Movie acting is about covering the machinery. Stage acting is about exposing the machinery. In cinema, you should think the actor is playing himself, if he's that good. It looks very easy. It should. But it's not, I assure you.
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I've never seen hard work fail.
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When I look at a pie chart, I just go numb.
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A flair for publicity does not necessarily mean a flair for acting.
