John Ratzenberger Quotes
Quotes to Explore
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The use of slave women as day workers naturally broke up or made impossible the normal Negro home, and this and the slave code led to a development of which the South was really ashamed and which it often denied, and yet perfectly evident: the raising of slaves in the Border slave states for systematic sale on the commercialized cotton plantations.
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I don't mind you thinking I'm stupid, but don't talk to me like I'm stupid.
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What is all our histories, but God showing himself, shaking and trampling on everything that he has not planted.
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I was completely naive about the business of being an actor. My family didn't go to the theater or to the movies. We watched television like every 1960s small-town American family, and I certainly never thought about being on TV. I thought I was going to be a classical actor in the grand tradition.
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In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
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When I did 'The Cell' - no matter what you think of that movie, because I have my opinions of it too - it was, you know, I still have nightmares from the research that I did. Not from playing the part, just from the research.
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I have superfine, superoily hair, so my struggle is always trying to get the volume I want. I end up not doing much with it ever.
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He who improves an opportunity sows a seed which will yield fruit in opportunity for himself and others.
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From each according to his abilities, to each according to his needs.
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By asking a novel question that you don't know the answer to, you discover whether you can formulate a way of finding the answer, and you stretch your own mind, and very often you learn something new.
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I'm involved with Kid One Transport and Studio by the Tracks in Alabama. Kid One literally transports kids to better health by giving them transportation they may need to get medical care. Studio by the Tracks is an art outlet for mentally challenged children.
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A lot of actors know they want to be actors a little bit earlier on. I didn't even really start studying until I was about 22.
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Manhattan seems pretty developed, you know what I mean? Like, it has peaked in culture.
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I once went on the most grueling radio tour. Living in hotel rooms, sleeping in the backs of rental cars as my mom drove to three different cities in one day.
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But the one thing that I did do was establish myself as a good actor.
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I think the hardest thing I went through in the UFC was my first loss. It was terrible. It was traumatizing. But it's just going back and rebuilding and getting better.
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There is no proletarian, not even a Communist movement, that has not operated in the interests of money, and for the time being permitted by money - and that without the idealists among its leaders having the slightest suspicion of the fact.
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I shop more than most women.
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In 'Bayou Magic,' I bring in the cultural tradition of African mermaids - Mami Wata, the mother goddesses.
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When I was living in New York, I had this slightly wannabe bohemian existence and took up painting, at which I'm appalling. I also bought several guitars.
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I have lots of gaps in my education, and so I'm often picking up classic books that most people read years ago.
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I come from Bridgeport, Connecticut and have friends I grew up with there.
